{"id":210,"date":"2021-06-03T16:01:29","date_gmt":"2021-06-03T16:01:29","guid":{"rendered":"http:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/?page_id=210"},"modified":"2021-06-04T16:28:12","modified_gmt":"2021-06-04T16:28:12","slug":"barry-mosher","status":"publish","type":"page","link":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/influence-in-private-press\/barry-mosher\/","title":{"rendered":"Barry Mosher"},"content":{"rendered":"<p>Barry Moser was born in Chattanooga, Tennessee in 1940. He is an illustrator, printer, painter, printmaker, designer, author, essayist, and teacher. He is best known for his elaborately detailed woodcuts, especially for <em>Alice in Wonderland<\/em> (1982) and <em>The Holy Bible (1999).<\/em><\/p>\n<p class=\"style1\">His work, <em>Men of Printing<\/em> (1976) is the most significant in this collection. In this volume, Moser pairs the obituaries of eight printing craftsman with an original woodcut portrait. Included are William Morris, \u201cMr. Cobden-Sanderson\u201d, Sir Emery Walker, and Eric Gill.<\/p>\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"209\" src=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing-300x209.jpg\" alt=\"A two page spread with text in black and a horizontal line in the margins\" data-id=\"157\" data-full-url=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing.jpg\" data-link=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/moser-men-of-printing\/\" class=\"wp-image-157\" srcset=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing-300x209.jpg 300w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing-768x534.jpg 768w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser-men-of-printing.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">A spread from Moser&#8217;s book &#8216;Men of Printing&#8217;<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"265\" height=\"300\" src=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson-265x300.jpg\" alt=\"A black and gray portrait of a man in a big hat with a bow tie and beard\" data-id=\"155\" data-full-url=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson.jpg\" data-link=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/moser_sanderson\/\" class=\"wp-image-155\" srcset=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson-265x300.jpg 265w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson-768x868.jpg 768w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_sanderson.jpg 800w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">A wood engraved portrait of Thomas James Cobden-Sanderson by Barry Moser<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"242\" height=\"300\" src=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker-242x300.jpg\" alt=\"A black and gray portrait of an older man with white hair and a white beard and glasses\" data-id=\"156\" data-full-url=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker.jpg\" data-link=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/moser_walker\/\" class=\"wp-image-156\" srcset=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker-242x300.jpg 242w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker-768x952.jpg 768w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_walker.jpg 800w\" sizes=\"auto, (max-width: 242px) 100vw, 242px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">A wood-engraved portrait of Emery Walker<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"217\" height=\"300\" src=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill-217x300.jpg\" alt=\"A profile portrait of a man with a beard and glasses\" data-id=\"153\" data-full-url=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill.jpg\" data-link=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/moser_gill\/\" class=\"wp-image-153\" srcset=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill-217x300.jpg 217w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill-740x1024.jpg 740w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill-768x1063.jpg 768w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_gill.jpg 800w\" sizes=\"auto, (max-width: 217px) 100vw, 217px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">A wood-engraved portrait of Eric Gill by Barry Moser<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_morris.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"244\" height=\"300\" src=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_morris-244x300.jpg\" alt=\"Portrait of Morris by Moser showing Morris with a long beard\" data-id=\"154\" data-full-url=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_morris.jpg\" data-link=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/moser_morris\/\" class=\"wp-image-154\" srcset=\"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_morris-244x300.jpg 244w, https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-content\/uploads\/sites\/51\/2021\/06\/moser_morris.jpg 604w\" sizes=\"auto, (max-width: 244px) 100vw, 244px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">A woodcut portrait by Barry Moser<\/figcaption><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Barry Moser was born in Chattanooga, Tennessee in 1940. He is an illustrator, printer, painter, printmaker, designer, author, essayist, and teacher. He is best known for his elaborately detailed woodcuts, especially for Alice in Wonderland (1982) and The Holy Bible (1999). His work, Men of Printing (1976) is the most significant in this collection. In [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":59,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-210","page","type-page","status-publish","hentry","post-preview"],"_links":{"self":[{"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/pages\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":3,"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/pages\/210\/revisions"}],"predecessor-version":[{"id":348,"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/pages\/210\/revisions\/348"}],"up":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/pages\/59"}],"wp:attachment":[{"href":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/wp-json\/wp\/v2\/media?parent=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}