{"id":317,"date":"2021-06-04T15:22:06","date_gmt":"2021-06-04T15:22:06","guid":{"rendered":"http:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/?page_id=317"},"modified":"2021-06-04T15:28:00","modified_gmt":"2021-06-04T15:28:00","slug":"t-j-cobden-sanderson","status":"publish","type":"page","link":"https:\/\/libapps.libraries.uc.edu\/exhibits\/williammorris\/influence-in-private-press\/t-j-cobden-sanderson\/","title":{"rendered":"T.J. Cobden-Sanderson"},"content":{"rendered":"

T.J. Cobden-Sanderson founded the Doves Press four years after Morris\u2019s death in 1896 with Emery Walker, Morris\u2019s associate in founding the Kelmscott press. However, Cobden- Sanderson was hardly a blind admirer of Morris.  He even wrote an essay called \u201cI Do Not Believe in the Doctrine of William Morris<\/em>\u201d in 1917.  While he respected Morris\u2019s influence in the world of fine printing, he did not share his love of type design and disdain for bindings. Cobden-Sanderson used just one roman typeface for all the Doves Press publications, but his bindings were expressive, colorful, and varied. He also bound several works by Morris, including Art and Socialism<\/em> and Hope, Fears for Art <\/em>and Love is Enough.<\/em><\/p>\n

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