{"id":3986,"date":"2024-02-29T10:48:43","date_gmt":"2024-02-29T15:48:43","guid":{"rendered":"https:\/\/libapps.libraries.uc.edu\/source\/?p=3986"},"modified":"2024-03-21T15:20:01","modified_gmt":"2024-03-21T19:20:01","slug":"daap-library-exhibit-celebrates-renaissance-painter-catherina-van-hemessen","status":"publish","type":"post","link":"https:\/\/libapps.libraries.uc.edu\/source\/daap-library-exhibit-celebrates-renaissance-painter-catherina-van-hemessen\/","title":{"rendered":"DAAP Library exhibit celebrates Renaissance painter Catharina van Hemessen"},"content":{"rendered":"\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><em>By Christopher Platts, assistant professor of art history<\/em><\/p>\n\n\n\n<p>On display from March 8 through April 8 in the <a href=\"https:\/\/libraries.uc.edu\/libraries\/daap.html\">Robert A. Deshon and Karl J. Schlachter Library for Design, Architecture, Art and Planning (DAAP)<\/a>, the exhibition, <strong>Rediscovering Catharina van Hemmessen\u2019s <em>Scourging of Christ<\/em>: Women Artists, Patrons and Rulers in Renaissance Europe<\/strong>, features paintings, woodcuts, engravings, illuminated manuscripts, and illustrated printed books from the special collections of UC Libraries as well as a local private collection.<\/p>\n\n\n\n<p>Catharina van Hemessen was arguably the most important woman artist in Northern Europe during the 16<sup>th<\/sup> century, and her paintings are currently the highlights of numerous exhibitions and installations worldwide. Museums everywhere are actively trying to acquire paintings by her, and only a handful of institutions, all in Europe, have a signed work by her (only a dozen survive). The DAAP Library is exhibiting one of these, the <em>Scourging of Christ<\/em>. One of her few narrative paintings, it is relatively unknown to scholars because it has rarely been exhibited or studied at first hand. It is her last dated painting, made when she was an artist at the court of Mary of Hungary, regent of the Netherlands, in Madrid.<\/p>\n\n\n\n<p>The exhibition was curated by Elizabeth Meyer, head of the DAAP Library, Christopher Platts, assistant professor of art history, and Mike Ruzga, independent art conservator. Collaborators on the exhibition include Chris Harter, archivist and head of the Archives and Rare Books Library, Aaron Cowan, director of the UC Art Collection and DAAP Galleries, Sharon Purtee, interim head of the Donald C. Harrison Health Sciences Library, and Holly Prochaska, Preservation Librarian and Lab Co-Manager, Jessica Ebert, Senior Conservation Specialist, and Catarina Figueirinhas Assistant Conservator, all three from the Preservation Lab.<\/p>\n\n\n\n<p>A reception and series of gallery talks are planned for the following dates:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>March 18<\/strong>, \u201cWomen Artists, Patrons, and Rulers in Renaissance Europe: Introduction to the Exhibition,\u201d Christopher Platts (exhibition co-curator and UC assistant professor of art history), 1:00-1:30pm, DAAP Library<\/li>\n\n\n\n<li><strong>March 28<\/strong>, \u201cCatharina van Hemessen\u2019s <em>Scourging of Christ<\/em>: Painting Materials and Techniques in Sixteenth-century Europe,\u201d Mike Ruzga (exhibition co-curator and independent art conservator), 12:30-1:00pm, DAAP Library<\/li>\n\n\n\n<li><strong>April 3<\/strong>, \u201cWomen Artists in Renaissance and Early Baroque Europe,\u201d Lauren Tate (UC assistant professor of art history), 12:30-1:00pm, DAAP Library<\/li>\n\n\n\n<li><strong>April 4, <\/strong>4:00-5:30pm, Exhibition Reception and Gallery Talk, Reception: 4:00-5:00pm; Galllery Talk: \u201cWomen Artists, Patrons, and Rulers in Renaissance Europe: Introduction to the Exhibition&#8221;, 5:00-5:30pm, DAAP Library (across from Circulation desk), Christopher Platts\u00a0(University of Cincinnati Assistant Professor of Art History and exhibition co-curator)<\/li>\n<\/ul>\n\n\n\n<p>More on the exhibit is available on the <a href=\"https:\/\/libraries.uc.edu\/libraries\/daap\/exhibits\/rediscovering-scourging-of-christ.html\">DAAP Library web site<\/a>.<\/p>\n\n\n\n<p>Included in the display are:<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1130\" height=\"1536\" data-id=\"3996\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-1130x1536.jpg\" alt=\"PRIMARY QS 17 V575 v.1 1725, Andreas Vesalius, Opera omnia anatomica\u2026, vol. 1, printed book with woodcuts, 1725, opening: image and text page entitled \u201cCharacterum Quintae Musculorum Tabulae, Index.\u201d Health Sciences Library.\" class=\"wp-image-3996\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-1130x1536.jpg 1130w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-221x300.jpg 221w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-768x1043.jpg 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-1507x2048.jpg 1507w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-1140x1549.jpg 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius-1320x1793.jpg 1320w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/vesalius.jpg 1840w\" sizes=\"auto, (max-width: 1130px) 100vw, 1130px\" \/><figcaption class=\"wp-element-caption\">PRIMARY QS 17 V575 v.1 1725, Andreas Vesalius, Opera omnia anatomica\u2026, vol. 1, printed book with woodcuts, 1725, opening: image and text page entitled \u201cCharacterum Quintae Musculorum Tabulae, Index.\u201d Health Sciences Library.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1048\" height=\"1536\" data-id=\"3995\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-1048x1536.jpg\" alt=\"Pieter de Jode II, after Rogier van der Weyden, Portrait of Mary, Duchess of Burgundy, engraving, ca. 1663, DAAP Library Special Collections.\" class=\"wp-image-3995\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-1048x1536.jpg 1048w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-205x300.jpg 205w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-768x1125.jpg 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-1140x1670.jpg 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter-1320x1934.jpg 1320w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/pieter.jpg 1365w\" sizes=\"auto, (max-width: 1048px) 100vw, 1048px\" \/><figcaption class=\"wp-element-caption\">Pieter de Jode II, after Rogier van der Weyden, Portrait of Mary, Duchess of Burgundy, engraving, ca. 1663, DAAP Library Special Collections.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1140\" height=\"1536\" data-id=\"3994\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-1140x1536.png\" alt=\"Boccaccio, De Montibus, Silvis, Fontibus, Italian, 1440, egg tempera on paper, opening: author portrait of Boccaccio beneath a representation of a landscape. Archives and Rare Books.\" class=\"wp-image-3994\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-1140x1536.png 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-223x300.png 223w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-768x1034.png 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-1520x2048.png 1520w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2-1320x1778.png 1320w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/image2.png 1856w\" sizes=\"auto, (max-width: 1140px) 100vw, 1140px\" \/><figcaption class=\"wp-element-caption\">Boccaccio, De Montibus, Silvis, Fontibus, Italian, 1440, egg tempera on paper, opening: author portrait of Boccaccio beneath a representation of a landscape. Archives and Rare Books.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1060\" height=\"1536\" data-id=\"3992\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-1060x1536.jpg\" alt=\"Book of Hours, French, late 15th century, egg tempera and gold on parchment, opening: Hours of Saint Anne (f. 140v.) and Joachim and Saint Anne Embracing at the Golden Gate (f. 141r). Archives and Rare Books.\" class=\"wp-image-3992\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-1060x1536.jpg 1060w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-207x300.jpg 207w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-768x1113.jpg 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-1413x2048.jpg 1413w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-1140x1652.jpg 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright-1320x1913.jpg 1320w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/hoursright.jpg 1725w\" sizes=\"auto, (max-width: 1060px) 100vw, 1060px\" \/><figcaption class=\"wp-element-caption\">Book of Hours, French, late 15th century, egg tempera and gold on parchment, opening: Hours of Saint Anne (f. 140v.) and Joachim and Saint Anne Embracing at the Golden Gate (f. 141r). Archives and Rare Books.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1097\" height=\"1536\" data-id=\"3989\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf-1097x1536.jpg\" alt=\"Urs Graf, Christ before Pilate, woodcut, 1506, DAAP Library Special Collections.\" class=\"wp-image-3989\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf-1097x1536.jpg 1097w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf-214x300.jpg 214w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf-768x1075.jpg 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf-1140x1596.jpg 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/graf.jpg 1292w\" sizes=\"auto, (max-width: 1097px) 100vw, 1097px\" \/><figcaption class=\"wp-element-caption\">Urs Graf, Christ before Pilate, woodcut, 1506, DAAP Library Special Collections.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1090\" height=\"1536\" data-id=\"3988\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer-1090x1536.jpg\" alt=\"Albrecht D\u00fcrer, The Mass of Saint Gregory, woodcut, 1511, DAAP Library Special Collections.\" class=\"wp-image-3988\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer-1090x1536.jpg 1090w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer-213x300.jpg 213w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer-768x1082.jpg 768w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer-1140x1606.jpg 1140w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/02\/durer.jpg 1270w\" sizes=\"auto, (max-width: 1090px) 100vw, 1090px\" \/><figcaption class=\"wp-element-caption\">Albrecht D\u00fcrer, The Mass of Saint Gregory, woodcut, 1511, DAAP Library Special Collections.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"795\" height=\"1080\" data-id=\"4209\" src=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/03\/Hemessen-Scourging-Flagellation-best.jpeg\" alt=\"catherine van hemessen\" class=\"wp-image-4209\" srcset=\"https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/03\/Hemessen-Scourging-Flagellation-best.jpeg 795w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/03\/Hemessen-Scourging-Flagellation-best-221x300.jpeg 221w, https:\/\/libapps.libraries.uc.edu\/source\/wp-content\/uploads\/2024\/03\/Hemessen-Scourging-Flagellation-best-768x1043.jpeg 768w\" sizes=\"auto, (max-width: 795px) 100vw, 795px\" \/><figcaption class=\"wp-element-caption\">Catherina van Hemessen, Flagellation of Christ, 1556, oil on wood panel, private collection.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:51px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>By Christopher Platts, assistant professor of art history On display from March 8 through April 8 in the Robert A. Deshon and Karl J. Schlachter Library for Design, Architecture, Art and Planning (DAAP), the exhibition, Rediscovering Catharina van Hemmessen\u2019s Scourging of Christ: Women Artists, Patrons and Rulers in Renaissance Europe, features paintings, woodcuts, engravings, illuminated manuscripts, and illustrated printed books from the special collections of UC Libraries as well as a local private collection. Catharina van Hemessen was arguably the most important woman artist in Northern Europe during the 16th century, and her paintings are currently the highlights of numerous exhibitions and installations worldwide. Museums everywhere are actively trying to acquire paintings by her, and only a handful of institutions, all in Europe, have a signed work by her (only a dozen survive). The DAAP Library is exhibiting one of these, the Scourging of Christ. One of her few narrative paintings, it is relatively unknown to scholars because it has rarely been exhibited or studied at first hand. It is her last dated painting, made when she was an artist at the court of Mary of Hungary, regent of the Netherlands, in Madrid. The exhibition was curated by Elizabeth Meyer, head of the DAAP Library, Christopher Platts, assistant professor of art history, and Mike Ruzga, independent art conservator. Collaborators on the exhibition include Chris Harter, archivist and head of the Archives and Rare Books Library, Aaron Cowan, director of the UC Art Collection and DAAP Galleries, Sharon Purtee, interim head of the Donald C. Harrison Health Sciences Library, and Holly Prochaska, Preservation Librarian and Lab Co-Manager, Jessica Ebert, Senior Conservation Specialist, and Catarina Figueirinhas Assistant Conservator, all three from the Preservation Lab. A reception and series of gallery talks are planned for the following dates: More on the exhibit is available on the DAAP Library web site. Included in the display are:<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[183,197],"tags":[17,54,32,18,22,26,35],"class_list":["post-3986","post","type-post","status-publish","format-standard","hentry","category-volume-22","category-volume-22-issue-2","tag-archives-and-rare-books-library","tag-collections","tag-daap-library","tag-events","tag-exhibits","tag-health-sciences-library","tag-preservation-lab"],"_links":{"self":[{"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/posts\/3986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/comments?post=3986"}],"version-history":[{"count":10,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/posts\/3986\/revisions"}],"predecessor-version":[{"id":4210,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/posts\/3986\/revisions\/4210"}],"wp:attachment":[{"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/media?parent=3986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/categories?post=3986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/source\/wp-json\/wp\/v2\/tags?post=3986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}