{"id":4005,"date":"2022-10-04T17:04:19","date_gmt":"2022-10-04T21:04:19","guid":{"rendered":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/?p=4005"},"modified":"2022-10-10T12:46:11","modified_gmt":"2022-10-10T16:46:11","slug":"vestiges-of-color-in-an-album-of-john-robinsons-ten-big-shows","status":"publish","type":"post","link":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/2022\/10\/vestiges-of-color-in-an-album-of-john-robinsons-ten-big-shows","title":{"rendered":"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows"},"content":{"rendered":"\n<p><strong>John Robinson<\/strong><\/p>\n\n\n\n<p>John Robinson\u2019s circus was a famous, traveling, family-owned circus\u2019 that toured the United States for 69 years beginning in 1842.&nbsp; The family business stopped touring around 1910 and was officially sold in 1916.&nbsp; It was managed by four generations, all named John Robinson.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"695\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade-1024x695.png\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-image-4006\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade-1024x695.png 1024w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade-300x204.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade-768x521.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade-624x424.png 624w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Parade.png 1171w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Parade of John Robinson\u2019s circus entering town. Image from <a href=\"https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/12068\">https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/120<em>68<\/em><\/a><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"741\" height=\"580\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/PackingUp.png\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-image-4014\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/PackingUp.png 741w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/PackingUp-300x235.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/PackingUp-624x488.png 624w\" sizes=\"auto, (max-width: 741px) 100vw, 741px\" \/><figcaption>Packing up after a show.  Image from the Cincinnati and Hamilton County Public Library.<\/figcaption><\/figure>\n\n\n\n<p><strong>Tillie<\/strong><\/p>\n\n\n\n<p>As a local tidbit to note, the circus was stationed during the winters near Cincinnati, OH, where the family owners kept Tillie, the beloved elephant. &nbsp;Tillie was said to roam the neighborhood of Terrace Park and was well known in the community and beyond. Many stories were written of heroic accounts and even her ability to \u201ctalk\u201d.&nbsp; She was memorialized when she passed in 1932 and a marker can be found at Circus Place in Terrace Park today.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Elephants.png\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-image-4009\" width=\"606\" height=\"433\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Elephants.png 606w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Elephants-300x214.png 300w\" sizes=\"auto, (max-width: 606px) 100vw, 606px\" \/><figcaption>Elephants being forced to perform in John Robinson&#8217;s 10 Big Shows. Image from the Cincinnati and Hamilton County Public Library<\/figcaption><\/figure>\n<\/div>\n\n\n<p><strong>Cincinnati and Hamilton County Photographic Album<\/strong><\/p>\n\n\n\n<p>A rare photographic album owned by the Cincinnati and Hamilton County Public Library (CHPL) dates to the late 19<sup>th<\/sup> to early 20th century and contains albumen portraits of John Robinson\u2019s circus performers. The images have been <a href=\"https:\/\/digital.cincinnatilibrary.org\/digital\/collection\/p16998coll15\/id\/151909\/\">fully digitized<\/a> after receiving treatment to improve legibility at the Preservation Lab. The CHPL Digital Library catalog describes the object as follows:<\/p>\n\n\n\n<p>\u201cAlbum of 266 photographs of varying sizes. Most are portraits of Robinson family members and of the circus staff and performers. Included are group portraits of the work crew, musicians, clowns, acrobats, novelty acts, and family acts, and circus animals. Many of the individual portraits are of side-show performers such as tattooed men, albinos, women with floor-length hair, dwarfs, etc. Some of these are studio shots that may have been sold or used as advertising. A small number have captions, and the few with dates are from 1901-1909.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"941\" height=\"460\" data-id=\"4011\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/InteriorBindingAfter.png\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-image-4011\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/InteriorBindingAfter.png 941w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/InteriorBindingAfter-300x147.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/InteriorBindingAfter-768x375.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/InteriorBindingAfter-624x305.png 624w\" sizes=\"auto, (max-width: 941px) 100vw, 941px\" \/><figcaption>Inside of upper cover after treatment<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><strong>Toned Images<\/strong><\/p>\n\n\n\n<p>While the content of the images is spellbinding, the album is also unique as many of the photographs appear to be once toned overall with pink, yellow, or orange colors.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"946\" height=\"738\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/pinkandyellow.png\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-image-4012\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/pinkandyellow.png 946w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/pinkandyellow-300x234.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/pinkandyellow-768x599.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/pinkandyellow-624x487.png 624w\" sizes=\"auto, (max-width: 946px) 100vw, 946px\" \/><\/figure>\n\n\n\n<p>An online reference from the <a href=\"http:\/\/albumen.conservation-us.org\/library\/c20\/reilly1980.html\">American Institute for Conservation (AIC) Preprints in 1980 <\/a>refers to historic albumen photographs that were dyed and are extremely light sensitive.&nbsp; In the article, James Reilly states, &#8220;A great deal of the paper sold during the 1880&#8217;s and 1890&#8217;s was &#8220;doubly albumenized&#8221;, i.e., floated twice to obtain maximum gloss. Another common practice was the addition of aniline dyes to the albumen solution. Tinted paper was mainly used for portraits, and the most popular tint appeared to be pink, but various shades of purple, blue and even green were also used. Because the dyes had such poor lightfastness&#8211;especially in such dilute solution&#8211;most of the dyed paper is difficult to recognize today.&#8221;&nbsp; It\u2019s fun to imagine that these tinted papers might have been used to capture and celebrate the lives of circus performers in John Robinson\u2019s 10 big shows.<\/p>\n\n\n\n<p>Many of the colors in the photograph album have faded irregularly, with the pink being the most prominent color remaining.&nbsp; This colored photograph phenomenon does not appear to be widely documented elsewhere as the fugitive dyes were not light-fast.&nbsp; They may have also been susceptible to dark fading and chemical instability.&nbsp; Because these photos were preserved within pages in an album, it\u2019s possible they\u2019ve been protected from light and some of the more chemically stable images have not yet completely faded, allowing us a glimpse of this rare format.<\/p>\n\n\n\n<p>While treatment cannot be performed to recolor the images, some photographs did receive conservation treatment to improve visual legibility.  There were nearly 30 images that appeared to have a dark discoloration. These photographs were identified to be missing fragments of paper backings.  As a result, the dark album pages behind the photographs were obscuring the visibility of the photographic emulsion layer.  Some of the more badly damaged images were carefully lifted, relined and reattached. Others received general surface cleaning.  A few examples of improved readability are below.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"282\" height=\"421\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4016\" data-id=\"4016\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_Before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_Before.png 282w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_Before-201x300.png 201w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"271\" height=\"413\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4015\" data-id=\"4015\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_After.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_After.png 271w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/beardlady_After-197x300.png 197w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"903\" height=\"624\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4018\" data-id=\"4018\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_Before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_Before.png 903w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_Before-300x207.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_Before-768x531.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_Before-624x431.png 624w\" sizes=\"auto, (max-width: 903px) 100vw, 903px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"634\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4017\" data-id=\"4017\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_After.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_After.png 929w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_After-300x205.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_After-768x524.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Horse_After-624x426.png 624w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"327\" height=\"454\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4020\" data-id=\"4020\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_before.png 327w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_before-216x300.png 216w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"319\" height=\"451\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4019\" data-id=\"4019\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_after.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_after.png 319w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/shortsleeve_after-212x300.png 212w\" sizes=\"auto, (max-width: 319px) 100vw, 319px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"298\" height=\"457\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4023\" data-id=\"4023\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before-.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before-.png 298w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before--196x300.png 196w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"302\" height=\"457\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4021\" data-id=\"4021\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-after.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-after.png 302w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-after-198x300.png 198w\" sizes=\"auto, (max-width: 302px) 100vw, 302px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"318\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4022\" data-id=\"4022\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before.png 453w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/accretion-before-300x211.png 300w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"453\" height=\"339\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4024\" data-id=\"4024\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/grime-after.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/grime-after.png 453w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/grime-after-300x225.png 300w\" sizes=\"auto, (max-width: 453px) 100vw, 453px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"920\" height=\"653\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4026\" data-id=\"4026\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-Before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-Before.png 920w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-Before-300x213.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-Before-768x545.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-Before-624x443.png 624w\" sizes=\"auto, (max-width: 920px) 100vw, 920px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"931\" height=\"673\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4025\" data-id=\"4025\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-After.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-After.png 931w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-After-300x217.png 300w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-After-768x555.png 768w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Test-After-624x451.png 624w\" sizes=\"auto, (max-width: 931px) 100vw, 931px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"328\" height=\"458\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4031\" data-id=\"4031\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_before.png 328w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_before-215x300.png 215w\" sizes=\"auto, (max-width: 328px) 100vw, 328px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"471\" height=\"657\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4038\" data-id=\"4038\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_after.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_after.png 471w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/Stance_after-215x300.png 215w\" sizes=\"auto, (max-width: 471px) 100vw, 471px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"368\" height=\"439\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4033\" data-id=\"4033\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_before.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_before.png 368w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_before-251x300.png 251w\" sizes=\"auto, (max-width: 368px) 100vw, 368px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"575\" height=\"697\" alt=\"Vestiges of Color in an Album of John Robinson\u2019s Ten Big Shows\" class=\"wp-block-jetpack-slideshow_image wp-image-4032\" data-id=\"4032\" src=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_after.png\" srcset=\"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_after.png 575w, https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-content\/uploads\/2022\/10\/acrobat_after-247x300.png 247w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p><strong>Ashleigh Ferguson Schieszer (CHPL) &#8211; Special Collections Conservator<\/strong><\/p>\n\n\n\n<p><strong>References and Resources:<\/strong><\/p>\n\n\n\n<p>Reilly, James. The History, Technique and Structure<em> of Albumen Prints<\/em>, AIC Preprints. May 1980. Pp.93-98. <a href=\"https:\/\/cool.culturalheritage.org\/albumen\/library\/c20\/reilly1980.html\">https:\/\/cool.culturalheritage.org\/albumen\/library\/c20\/reilly1980.html<\/a><\/p>\n\n\n\n<p>Suess, Jeff. <em>Robinson\u2019s circus wintered in Terrace Park<\/em>, The Enquirer, Cincinnati.com, published Jan 26, 2017. <a href=\"https:\/\/www.cincinnati.com\/story\/news\/2017\/01\/26\/robinsons-circus-wintered-terrace-park\/97093392\/\">https:\/\/www.cincinnati.com\/story\/news\/2017\/01\/26\/robinsons-circus-wintered-terrace-park\/97093392\/<\/a><\/p>\n\n\n\n<p>The <em>Annual Record of the John Robinson\u2019s 10 big Shows for 1900<\/em> is fully digitized at Illinois State where the roster of performers are listed and the program of displays are outlined. (See <a href=\"https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/12035\">https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/12035<\/a>). Perhaps some cross examination of resources, such as this one, can lead to the identification of some of the portrait identities.&nbsp; See also <a href=\"https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/11909\">https:\/\/digital.library.illinoisstate.edu\/digital\/collection\/p15990coll5\/id\/11909<\/a>.<\/p>\n\n\n\n<p>Circus posters:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.loc.gov\/resource\/cph.3g05226\/\">https:\/\/www.loc.gov\/resource\/cph.3g05226\/<\/a><\/li><li><a href=\"https:\/\/emuseum.ringling.org\/emuseum\/vocabularies\/thesaurus\/1545319;jsessionid=7CCAAA80A86CE4D2AE6527FD6D3E56A7\">https:\/\/emuseum.ringling.org\/emuseum\/vocabularies\/thesaurus\/1545319;jsessionid=7CCAAA80A86CE4D2AE6527FD6D3E56A7<\/a><\/li><\/ul>\n\n\n\n<p>Additional articles:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Elephants in Terrace Park: <a href=\"https:\/\/tphistoricalsociety.org\/post\/elephants-in-terrace-park\/the-robinson-circus\">https:\/\/tphistoricalsociety.org\/post\/elephants-in-terrace-park\/the-robinson-circus<\/a><\/li><li><a href=\"https:\/\/www.circusesandsideshows.com\/owners\/johnrobinson.html\">https:\/\/www.circusesandsideshows.com\/owners\/johnrobinson.html<\/a><\/li><li><a href=\"https:\/\/www.elephant.se\/location2.php?location_id=611\">https:\/\/www.elephant.se\/location2.php?location_id=611<\/a><\/li><li><a href=\"https:\/\/www.wcpo.com\/news\/insider\/cincinnatis-circus-connections-of-long-ago-come-to-mind-with-the-end-of-the-ringling-bros-and-barnum-bailey-circus\">https:\/\/www.wcpo.com\/news\/insider\/cincinnatis-circus-connections-of-long-ago-come-to-mind-with-the-end-of-the-ringling-bros-and-barnum-bailey-circus<\/a><\/li><\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>John Robinson John Robinson\u2019s circus was a famous, traveling, family-owned circus\u2019 that toured the United States for 69 years beginning in 1842.&nbsp; The family business stopped touring around 1910 and was officially sold in 1916.&nbsp; It was managed by four generations, all named John Robinson. Tillie As a local tidbit to note, the circus was [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,8],"tags":[591,391,592,232,590,589],"class_list":["post-4005","post","type-post","status-publish","format-standard","hentry","category-book","category-photograph","tag-aniline-dyed-photographs","tag-ashleigh-ferguson-schieszer","tag-john-robinsons-10-big-shows","tag-photograph-conservation","tag-pink-photographs","tag-toned-photographs"],"_links":{"self":[{"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/posts\/4005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/comments?post=4005"}],"version-history":[{"count":8,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/posts\/4005\/revisions"}],"predecessor-version":[{"id":4044,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/posts\/4005\/revisions\/4044"}],"wp:attachment":[{"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/media?parent=4005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/categories?post=4005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/wp-json\/wp\/v2\/tags?post=4005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}