{"id":4551,"date":"2024-02-27T12:55:46","date_gmt":"2024-02-27T17:55:46","guid":{"rendered":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/?p=4551"},"modified":"2024-02-27T12:55:46","modified_gmt":"2024-02-27T17:55:46","slug":"unexpected-history-in-a-photograph-collection","status":"publish","type":"post","link":"https:\/\/libapps.libraries.uc.edu\/thepreservationlab\/2024\/02\/unexpected-history-in-a-photograph-collection","title":{"rendered":"Unexpected History in a Photograph Collection"},"content":{"rendered":"\n

Catarina and I are working on rehousing a large series of College of Engineering class composites from the mid-1950s through the early 2000s. It is a fantastic visual timeline of 20th<\/sup> century photographic processes. It also perfectly charts cultural shifts through the decades (so many haircuts and mustaches!) There was even a gentleman that I sang in Chorus with during my years as a student here! But even beyond all of that, there were some unexpected tiny bits of Cincinnati history.\u00a0 The University handles its own photography now, but that wasn\u2019t always the case. The early class composites were done by local businesses. The bulk of them were done by three now-defunct studios: Pogue, Shillito\u2019s, and Rob Paris Photography. If you are a Cincinnati native, you may have heard of them. If you are of a certain age, you may even have had your portraits done by one or all of them. (I personally had portraits taken at Shillito\u2019s as a child.) What a fun little piece of history. Of all the things that I enjoy about working with the photographs in our collections, I think the unexpected finds may be my favorite!<\/p>\n\n\n\n