Tag Archives: Archives & Rare books

Unfolding the Challenge: Conserving Folded Parchment Deeds with Wax Seals

When a group of four folded parchment deeds arrived at the Preservation Lab, I was immediately excited about the project. It is not often that we work with parchment, particularly on “flat” items such as parchment deeds. I use “flat” in quotation marks because these were anything but flat once unfolded.

Four folded parchment documents stacked on top of one another for documentation.
Before treatment photography – four folded parchment documents.

At first glance, they looked deceptively simple: compact, neatly folded, and quite small. Once opened, however, they revealed large, creased, and cockled sheets of animal skin, some with fragile wax seals and one composed of multiple leaves stitched together along the bottom edge. (Prior to treatment, each document was photographed as they were received in the Lab):

These 18th-century documents, part of the Archives and Rare Books Library, include three indentures consisting of single parchment leaves, and one composed of three parchment leaves secured with wax seals and parchment stays along the lower edge. They record land leases and property transactions.

The documents were brought to the lab for stabilization and improved access for teaching and research. In their folded state, they were difficult to handle, especially the multi-leaf example, which could not be fully examined as stored. Centuries of folded storage had clearly left their mark.

So how do we safely unfold and stabilize these items for handling, teaching, and research?

Parchment is highly responsive to humidity. It expands, contracts, cockles, and stiffens depending on environmental conditions. Long-term folded storage had left deep set creases, and exposed areas showed noticeable darkening. These distortions became even more apparent under raking light photography.

Treatment Approach

Flattening parchment is never as simple as adding moisture and pressing. Too much humidity risks gelatinization, while too little leaves folds unchanged. Wax seals add another layer of complexity since they are brittle, protruding, and highly sensitive to pressure. To begin conservation treatment, each document was first surface cleaned using a hydrophilic sponge to remove surface grime. Ink testing followed to ensure stability before any humidification. All inks tested were stable, and no iron gall ink was detected. With testing complete, humidification could begin.

Parchment document under suction on a suction table.
Drying on the suction table.

The single-leaf documents were humidified in short cycles within a cold humidity chamber. After each cycle, they were dried gradually under felts, with pressure slowly increased and carefully kept away from seal areas. Drying methods were adapted depending on structure and condition. One single-leaf document without seals was dried under tension on the suction table, while the others were dried under felts and weights, again avoiding direct pressure on wax seals.

The Multi-Leaf Document

The multi-leaf deed required a more complex and iterative approach. It consists of three parchment leaves attached together, each responding differently to moisture. Initial humidification was carried out using an ultrasonic dome with a Gore-Tex barrier supporting the lower leaf. The upper leaf responded well, but the middle leaf remained resistant. To improve moisture distribution, unbuffered interleaving paper was placed between the leaves. Even so, the middle sheet required additional targeted treatment.

The most effective approach combined localized humidification with staged flattening. Each leaf was treated individually while the others were protected with polyester film and weighted mat board to prevent unwanted moisture transfer or movement. Stubborn folds were gently humidified using a localized ultrasonic humidifier and immediately set under pressing stacks of blotter and Hollytex, followed by gradual weighting. This allowed controlled relaxation of specific areas without over-treating the entire object.

Conservator holding humidifier nozzle to locally humidify parchment document as it's being flattened on the suction table.
During treatment – localized humidification for the multi-leaf document.

The process was highly collaborative, often requiring two or three people working at once. One person applied moisture and guided the parchment while another adjusted weights and pressing materials in real time. Throughout treatment, wax seals were carefully protected using mat board barriers and spacing systems to ensure they remained free from pressure. Once fully relaxed, the document was dried under felts with weights in place, while polyester sheeting remained between the leaves to prevent adhesion or distortion.

Wax seals

Three of the four documents retain wax seals along their lower edges. These seals were structurally fragile and were consolidated using fish gelatin applied with a fine brush. During treatment and flattening, they were carefully isolated so that no direct pressure was applied.

Parchment document under holly-tex, blotter and weights.
During treatment – multi-leaf document after humidification and flattening.

Housing for Support and Access

Following treatment, each document was rehoused in a custom sink mat system. Before constructing the full-sized enclosures, I made a small working model using a scrap piece of parchment to ensure that what I had in mind would actually function for these large documents in practice.

Small matting system, opened, with ethafoam on lid, mylar and mat board supports and small piece of a parchment document.
Small scaled model of the enclosure for each parchment document with the different components, including sink mat and polyester film sling.
Small sink mat model with a parchment document fragment inside.
Small scaled model created for the parchment documents.

The documents rest on polyester slings secured within sink mats and are held in place with cloth ties. The interior lids are lined with Ethafoam, providing gentle compression and helping to minimize movement caused by environmental fluctuations. The multi-leaf document required additional structural support through reinforced mat board construction. The three smaller documents were housed together in a corrugated clamshell enclosure. This housing balances long-term preservation with accessibility, allowing the documents to be safely handled for teaching and research.

All four matting systems stacked on top of one another.
Each document housed in a custom matting system.

Final results

Raking light photography after treatment shows a clear reduction in creasing, along with a noticeable shift in how the documents behave physically. The parchment still carries evidence of its long folded history, as these materials tend to do, but it is no longer locked into those distortions. While not perfectly flat, the material is now stable, supported, and significantly less stressed along its former fold lines. Under raking light, what once appeared as sharp ridges and tension lines now reads as a softer, more coherent surface. It feels as though the parchment has settled back into itself after a long period of compression.

Perhaps the most satisfying change, though, is in handling. What began as awkward, resistant objects that required constant caution are now stable enough to be lifted, viewed, and studied with far more confidence. They remain delicate, but they are no longer unpredictable in the same way. There is a clear sense that they can finally move between storage, teaching, and research without the same level of hesitation at every step.

Overhead view of the multi-leaf parchment document after treatment in the matting system with a sink mat and polyester sling.
After Treatment – parchment document housed in a matting system with a polyester sling.

Catarina Figueirinhas – Assistant Conservator

A librarian’s new favorite teaching tool? A historical book model!

A before image of the original Book of Hours, open to the center. The image shows that the sewing is broken and leaves are detaching.

In February 2019, the Lab received a unique item at the special collections’ meetings for the UC Libraries, a Book of Hours (ms.37) from 1475 from the Archives and Rare Books Library.  I was so excited when this book came into the Lab.

This 15th century Book of Hours was in poor condition and in need of conservation treatment. Not only was the binding structure failing and the text block broken in half, but this book was also heavily used as a teaching tool at the ARB library, and in its current condition it could not be safely handled. This was the perfect project for Ashleigh and I to collaborate.

From the beginning, it was decided that in conjunction with the conservation treatment of the Book of Hours, I would create a book model like the original Book of Hours, to be used as a teaching tool in the ARB library collection. In addition, the model would have a leather chemise, a common feature in some Book of Hours of the time.

Image of the book of hours model closed. The chemise is attached to the lower board, but not the upper board.
The Book of Hours MODEL with a removable chemise.

Now here is where this story begins with the model of the Book of Hours. Often, here in the lab, we all create book models for various reasons: to learn about a new treatment, test different treatment options, to understand how some materials work together, and as teaching tools.

As a teaching tool in the ARB library collection, this model needed to resemble the original Book of Hours in its structure and materials used.

The primary goal for this model was to show how a Book of Hours was historically built, its sewing structure, the materials used, and also to provide the ARB library with a book that could be easily handled by students and scholars.

Once the treatment for the Book of Hours was fully established and confirmed with the ARB curator, I was able to start working on the book model. I will save you form reading about all the different steps of making the model, but here are the main features of model:

Text block

  • Primary support – Khadi paper white cotton rag
  • Endsheets with leather hinge – Two bifolios of calligraphy goat parchment skin wrapped along the spine edge with a hinge of Allum tawed leather (later would be used as pastedowns)
  • Sewing – Sewn on three double raised cords with a linen 18/3 thread. The dimensions of the text block and sewing holes, were guided from the original sewing holes of the Book of Hours.
  • Endbands – Primary conservation endband with the bead on the spine, and secondary endband with the bead on the text block.
  • Spine linings:
    • Reversible layer of Usu Gami thin and Zen Shofu wheat starch paste.
    • Slotted Airplane cotton cloth with flanges to be used as board attachments.

Cover

  • Boards – Oak wood
  • Board attachment – Boards were laced with the sewing supports through carved channels
  • Covering material – Full alum tawed leather binding with removable chemise
  • Clasps – Brass tension clasps (these were created in-house by Chris Voynovich, and he did an amazing job).

There was no evidence that the original Book of Hours had clasps, but the curator requested tension clasps for the book model. Clasps were common in the 15th century bookbinding, and this would provide the students with the experience of handling a book with clasps and allow them to understand their function.

The curator also requested that one of the pastedowns be kept unattached, so the students could see how the boards were attached to the text block and that they were wooden boards.

In addition, I created a removable chemise, also requested by the curator of the ARB library. In some Books of Hours, it was common to have a leather chemise, but most often they were not removable. The chemise was created from a vegetable tanned goat split skin.

Gif of the chemise on and off the model.
 The chemise in action.
Video tutorial of how to put on and remove the chemise from the model.

Stay tuned for a future blog post where we will dive into the conservation treatment and research we did on the Book of Hours (ms.37).

Catarina Figueirinhas (UCL) —- Assistant Conservator

Photographic Documentation by Catarina Figueirinhas and Jessica Ebert

Instagram Live Event – 10/20 at 3pm (EST)

Join the Preservation Lab staff on Wednesday, October 20th at 3pm (EST) for an quick Instagram Live event centered around a collection of Japanese bindings that were recently conserved and are now in the process of receiving specialized, custom enclosures. We’ll be talking about the two different types of bindings in the collection, creating Japanese four-sided enclosures, why we make models, and answering any questions you might have!

Instagram Live Event – 10/20 at 3pm (EST)

Mark your calendars, or better yet, follow us on Instagram @thepreservationlab for updates, because you won’t want to miss this behind-the-scenes look at what goes on in the Lab. See you then!

You can now view the live event on the Preservation Lab’s IGTV.

Jessica Ebert [UCL] – Sr. Conservation & Photographic Documentation Specialist