Joe Should Respect the Throne in Scotland, PA

By Sydney Vollmer, ARB Intern

Do you remember when I thought there were a lot of film adaptations of Hamlet?  Well, it turns out that number is nothing compared to the number of films made on Macbeth.  The adaptations started as early as 1916 and are still running strong.  Over the past 100 years, more than 15 film adaptations have been created.  That number doesn’t even include the amount of television shows based on the play, episodes with Macbeth as their title, or all of the times the play has been filmed for television. (See full list below.)  Many of these films are direct adaptations, but a few are creative twists on the traditional story.  These twists include: Joe MacBeth (1955), Throne of Blood (1957), Men of Respect (1990), and Scotland, PA (2001).

Joe MacBeth film poster

 

Joe MacBeth
1955
1h 30m

In this adaptation, we no longer are traipsing through dark castles in Scotland, but ducking through the alleyways as Lily MacBeth urges her husband to take down the top mob boss.  Starring in this movie is Paul Douglas as “Joe MacBeth” and Ruth Roman as “Lily MacBeth.”

 

Continue reading Joe Should Respect the Throne in Scotland, PA

Greed Makes Ghosts in the Scottish Hills

By: Sydney Vollmer

MacbethActors have this weird superstition about the name “Macbeth.” I know you’re not supposed to say it inside a theater unless you’re actually rehearsing the play, but I wonder if there is an official rule on saying it outside before the show starts. My reason for asking is that this summer the Cincinnati Shakespeare Company has chosen to add Macbeth to their list of free Shakespeare in the Park performances along with A Midsummer Night’s Dream, and Romeo and Juliet. Continue reading Greed Makes Ghosts in the Scottish Hills

I’m Insulted We Haven’t Talked about This Sooner

By: Sydney Vollmer

When the stupid *$&@___ in front of you in line can’t make up their *@($-ing mind, don’t you just want to pull out your hair and tell them what an %*$%&*! they’re being? But you can’t. Why? Because there are children around. And because we live in a “civilized” society where doing such things would get you kicked out. After all, you just want your #$*(-ing coffee! Four letter words won’t save you this time. You’ll have to get more creative.

William Shakespeare Continue reading I’m Insulted We Haven’t Talked about This Sooner

ARB and the Enlightenment

By: Bridget McCormick, ARB Student Assistant

Thomas PaineOne of the strengths of the rare books collection in the Archives & Rare Books Library is 18th c. British literature, encompassing poetry and drama, history, political treatises, social commentary, and homiletics among several genres. And, these works are complemented by materials for the same time period from the Continent, particularly France and Germany. Brought together, these important volumes highlight the Age of Enlightenment, that period of intellectual development and reasoning that took place in Europe between the seventeenth and eighteenth centuries. To “enlighten” is to provide knowledge or understanding to and indeed, this chapter of European history introduced significant developments in art, philosophy, science, and politics. Continue reading ARB and the Enlightenment

Tales from the Rare Books Room

By:  Sydney Vollmer

GhostWhat’s more chilling than a good book? Perhaps the ghost that guards them. It’s been awhile since my encounter…but I decided that the world needed to know about our much rumored ghost.

Whether it is a he or she, we cannot say. For the sake of time and space, let’s call it a “he.” He resides in our rare books room here in the Archives & Rare Books Library in Blegen—one level above the library space that is open to the public. Some background on the rare books room:  it’s cold (necessary for preservation), it’s dark, (again, necessary), and it’s spooky (necessary for Ghost and Internpreservation?).  When you get up the stairs and open the massively heavy door, all the lights are off. Each individual row of book shelves has its own light. Last year, one didn’t. Continue reading Tales from the Rare Books Room

Jonesing for Some Good Illustrations

By:  Sydney Vollmer, ARB Intern

Winter's Tale CoverIt’s always a surprise what you’ll find when you go up to the rare books room. Last week, Kevin (our head here in the Archives & Rare Books Library) asked me to go find half-a-dozen beautiful Shakespeare volumes for a presentation given to the dean’s advisory committee. I went upstairs. There were the Charles Knight editions. They’re nice, but we’ve done so much with those already. I pulled the Rackham, Dulac, and Thompson volumes, because they’re classic illustrations that everyone enjoys seeing. I still needed at least three volumes…

Winter's Traces, Act 1, Scene 2 Continue reading Jonesing for Some Good Illustrations

Hunting the Bard

By:  Sydney Vollmer

Do you like games? Are you good at finding things? (We’re looking at you, Hufflepuffs!) Know any Shakespeare? GREAT! Join us in our Shakespeare Quote Scavenger Hunt!

On Tuesday, March 29th, we hid 5 Shakespeare Quotes around campus. They could be anywhere! Here’s the idea: You follow us on Facebook and Twitter to get the most up-to-date clues. You find one of the quotes we hid. You bring it to the Archives and Rare Books Library on the 8th floor of Blegen. You tell us the Shakespearean work the quote is from. We give you a prize! (And these are good prizes. You want it. Yes. YOU.)

Here are the clues we’ve given so far…Each number corresponds to a different quote and location. Continue reading Hunting the Bard

The Art of Aubrey Beardsley

By:  Bridget McCormick, ARB Student Assistant

Aubrey BeardsleyBorn August 21, 1872 in Brighton, England, illustrator and author Aubrey Beardsley served as a prominent, albeit controversial, figure within the London Art Nouveau and Aesthetic movements of the late 19th century.

Relocating to London with his family in 1883 when he was eleven years old, an adolescent Beardsley began to study drawing and literary arts while still in primary school. It was not until 1892, however, when he attended formal classes at the Westminster School of Art that Beardsley decided to pick up art as a profession. He most often worked in a plain black and white style, with the detailed application of black ink. His most famous illustrations depict themes of history and mythology. Examples of such works can be seen in Beardsley’s illustrations for his contemporary Oscar Wilde’s play, Salome (1891). Continue reading The Art of Aubrey Beardsley

What IS-A WSC?

By:  Sydney Vollmer, ARB Intern

rackham-title-1ISA, a much friendlier acronym than another “IS” we know, stands for the International Shakespeare Association. Why wouldn’t the world have an ISA? It’s one of those organizations I always assumed exists, but in that unspoken sort of way. As it turns out, I was incorrect, as this organization is very much established.

The idea was conceived during a World Shakespeare Congress (more on that in a bit) held in Vancouver in 1971. Since then, the organization has evolved with the mission of:

Offer[ing] an opportunity for individuals and institutions to join together to further the knowledge of Shakespeare throughout the world… The ISA’s central commitments are to advance the education of the public by furthering the study of Shakespeare’s life and work by such means as the Trustees determine, including by:

  • Organising, holding, and promoting participation in the World Shakespeare Congress and disseminating the learning from that event;
  • Offering advice and assisting in the establishment of national or regional Shakespeare associations. (WSC 2016).

Continue reading What IS-A WSC?