Labor history concerns the lives of workers and their various and diverse struggles for workplace democracy, improved working conditions, collective bargaining, and their relationship to changing forms of work and economic production. A new online exhibit features the University of Cincinnati’s Archives and Rare Books Library labor collections. Part of the Urban Studies Collection, the labor collections include records from Cincinnati’s AFL-CIO Labor Council, the Regional Joint Board of the Amalgamated Clothing & Textile Workers, the Barbers’ Union Local 49, International Brotherhood of Painters & Allied Trades Local 308, and others.
The Working for a Living exhibit was curated by Eira Tansey, digital archivist and records manager in the Archives and Rare Books Library. It was designed by Emily Young, library communication design co-op student, and Melissa Cox Norris, director of library communication.
Know of a good book to eat?! Create an Edible Book for UC Libraries International Edible Books Festival!
It’s time once again for the fan-favorite International Edible Books Festival scheduled for Wednesday, April 1, 2020, from 1-2:00 p.m. on the Walter C. Langsam Library’s 4th floor. UC Libraries is seeking people interested in creating an edible book for the enjoyment (and consumption) of all in attendance. There are few restrictions – namely that your creation be edible and have something to do with a book – so you may let your creativity run wild.
As in previous years, entries will be judged according to such categories as “Most Delicious,” “Most Creative,” “Most Checked Out” and “Most Literary.” Those awarded “Best Student Entry” and “Best Overall” will win a limited-edition, much coveted UC Libraries t-shirt.
If you are interested in creating an edible book, please e-mail firstname.lastname@example.org by Friday, March 20 with your name and the title of your creation.
Looking for inspiration? Visit UC Libraries on Facebook to see photos from the 2019 festival.
The exhibit, Women of the Movement: Leaders for Civil Rights and Voting Rights, currently on display on the 4th floor lobby of the Walter C. Langsam Library, profiles female leaders of the fight for civil and voting rights. Beginning with Sojourner Truth, former slave and abolitionist, and including contemporaries Diane Nash, a key player in the passage of the Civil Rights Act of 1964, and Cincinnati’s Marian Spencer, a champion for Civil Rights both locally and nationally, the exhibit spans history into current times.
Included in the exhibit are women instrumental to the Suffrage fight – Sojourner Truth who worked closely with Susan B. Anthony; Mary Church Terrell, founder of the National Association of Colored Women in 1896 as part of the Suffrage Movement after black women were excluded from the Women’s Suffrage Movement; and Mary McLeod Bethune who led voter registration drives following passing of the 19th Amendment.
Civil Rights activists on display include Fannie Lou Hamer, who famously said, “I’m sick and tired of being sick and tired;” Daisy Bates, an integrated schools advocate; and Ida B. Wells, a journalist, educator and one of the founders of the National Association for the Advancement of Colored People.
The exhibit’s design is inspired by a recently created ArtWorks mural in Cincinnati’s Avondale neighborhood honoring Louise Shropshire, composer of the hymn, “If My Jesus Wills,” that became the well-known mantra “We Shall Overcome” during the Civil Rights Movement. Louise Shropshire’s papers are located in the Archives and Rare Books Library.
Women of the Movement: Leaders for Civil Rights and Voting Rights was curated by June Taylor-Slaughter, public services supervisor in the Geology-Mathematics-Physics Library, and was designed by Michelle Matevia, UC Libraries communication design co-op student. A handout is available at the exhibit with more information on the women featured in the exhibit.
This past year the University of Cincinnati marked its Bicentennial led by the tenants: To Honor the past. Elevate the present. Bend the future. While
celebrating the Libraries’ vital role in the past 200 years of the university, we also took this opportunity to reflect on our goals, objectives, accomplishments and gaps as the next phase of our strategic direction.
Our year of reflection has resulted in the need for the creation of an emerging, and even bolder, Strategic Framework – one built upon the knowledge of our strengths and challenges, coupled with the needs and perspectives of our users, and that will propel us forward as we strive to become the globally engaged intellectual commons of the university – now and well into the future.
The University of Cincinnati Libraries Annual Progress Report, 2018/2019, available online at https://issuu.com/uclibraries/docs/uclannualreport18_19, makes note of the accomplishments and happenings of the previous year, as well as celebrates the people and donors integral to us fulfilling the work of our mission to empower discovery, stimulate learning and inspire the creation of knowledge by connecting students, faculty, researchers and scholars to dynamic data, information and resources.
“Artful Books,” on display now through the end of fall semester on the 4th and 5th floor lobbies of the Walter C. Langsam Library, features books created by members of the Cincinnati Book Arts Society (CBAS) inspired by and in celebration of UC and UC Libraries.
Earlier this year, CBAS members visited the Archives and Rare Books Library where they researched and reviewed various collections for inspiration – the results of which are now on display in two cases with over 15 artists’ books covering a wide range of subjects, forms and mediums. Select highlights of the exhibit include:
Jan Thomas, “Shooting Star.” In 1952, Marian Spencer, along with her sons, was not permitted at segregated Coney Island, Ohio, Amusement Park. This singular event became the catalyst for a life of public service as a civil rights advocate, community leader and champion.
Marguerite and Doug Katchen, “Bearcats and the Past.” Bearcats have been symbols of UC at least since the early 20th century. Wooden plagues of the map of Ohio were used as pages on which was described a brief history of the University of Cincinnati and on which were displayed Bearcat and Ohio patches.
Beth Belknap Brann, “Queen’s Icons.” This hand-drawn book is a celebration of Cincinnati’s architectural gems of the late 19th century. It was inspired by the historic photo archives in UC’s Archives and Rare Books Library.
Smruti Deoghare, “200 Years of Red, Black (and White),” the University of Cincinnati colors are more than just college colors. This bold palette of tricolor represents unity in diversity. Over the last 200 years, the University has provided education to people from all walks of life and colors – red, black, white, and all shades in between. The artist feels Tangeman University Center is the ideal architectural symbol of inclusivity on campus.
A brochure describing all of the books on display is available at the exhibit and online.
“Artful Books” was curated by Jessica Ebert, conservation technician in the Preservation Lab and CBAS member, and was designed by Michelle Matevia, communication design co-op student.
The Cincinnati Books Arts Society began in 1998 and is a non-profit organization comprised of professional and amateur book artists, paper artists and creators. Their membership includes bookbinders, print makers, paper marblers, book artists, archivists, conservation professionals and book enthusiasts interested in learning more about books and how they are created. Interested in learning more about CBAS? Check out their website and follow them on Facebook (Cincinnati Book Arts Society).
This fall brings new faces and new publications from the University of Cincinnati Press, along with the conclusion of the university’s Bicentennial celebration, which university archivist and head of the Archives and Rare Books Library Kevin Grace uses as the occasion to recount a gift from William A. Procter that was instrumental to the libraries.
10 years ago on September 1st 2009 the STRC uploaded their first video to YouTube. The video was of a old book that was sent to UCL’s Conservation and Binding department. They needed a quick way to show someone in California how the book would be repaired. 10 years later the STRC site has 300 videos, 400,000 views and 367 subscribers. 178 of the videos are UC student projects made at the STRC editing suites and STRC video production room. Below is a link to the most viewed student project (Tom Cruise on Teaching Composition) with 15,000 views. And also below is a link to the first video added 10 years ago, (Conservation of book) with 7,300 views.
Students feature in three articles – one about a pilot program that integrates new technology into the Critical Care Nurse Residency Program (CCNRP) curriculum, a second from a former graduate assistant discussing her experience working in the Digital Scholarship Center, and the third where a student assistant in the Archives and Rare Books Library writes about The Irish Fairy Book.
Lastly, we highlight the mixed materials collection available in the College of Education, Criminal Justice and Human Services (CECH) Library.