Author Archives: Suzanne Reller

A Changing Landscape-The Subway and Street Images Digitization Project Continues

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By Angela Vanderbilt

An immediate advantage gained by the digitization of the subway construction negatives is that one can now easily follow the progress being made on the project. From images of the drained canal bed and the earliest scoops of dirt removed to shots of the broad parkway ready to receive pedestrian and automobile traffic, researchers accessing the images will be able to follow each step of the process, much like the crowds of curious onlookers who gathered daily to watch the event in the early 1920s.

Once the collection is made available online, viewers may easily follow the construction process for each section of the proposed route, thanks to the photographer who carefully documented each image by writing the date, time, and location of each photograph directly on the negative itself. Such information is an invaluable historic record of the project, and of the city of Cincinnati, and will be captured in a database to make searching for specific images within the collection that much easier.

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Myra's Dionysus: Local Folk Art and Food Lore

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By Molly Gullett

The Southwest Ohio Folklore Collection features a wide range of folklore related topics and this week’s blog explores food lore and folk art with a local twist. Carol Watkins’ paper from the collection features photographs and information on Myra’s Dionysus, a charming restaurant situated in a unique building at 121 Calhoun Street. Myra’s Dionysus is well known locally for their ethnic foods, vegetarian options and, perhaps most notably, for their seasonal soups. If you have ever visited the restaurant, you might remember that the soups which are being offered that day are listed on colorful hand-painted signs hanging in the doorway to the small, but cozy, dining room. Continue reading →

Celebrating the 103 years of Elliot Carter's Life: Reflecting on the Great Composer's Ties to the Queen City

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By Lauren Fink

Elliot CarterIn addition to the John Cage Festivities this week at CCM, another major event has happened in the musical world: one of the century’s greatest composers, Elliot Carter died on Monday, Nov. 5th, at 103 years of age.

Born on Dec. 11th, 1908, at age 15 Carter met composer Charles Ives who was an extremely influential mentor, introducing Carter to contemporary composers and musicians and encouraging his musical development. Throughout the 1920s, Carter spent most of his summers in Europe studying the scores of composers from the second Viennese school – Schoenberg, Berg, Webern – and eventually matriculated to Harvard University. At Harvard, where he studied with Gustav Holst, Carter received a B.A. in English Literature and an M.A. in Music.  In 1932, Carter went to Paris to study at the Ecole Normale de Musique, in addition to taking private lessons with Nadia Boulanger (who was a notable teacher of many other famous composers, like Aaron Copland and Philip Glass). Carter returned to the US in 1936, mainly residing in New York.  Throughout his career he taught at Yale, Cornell, Columbia, Julliard, Peabody Conservatory, Queens College, and St. John’s College.  He was also composer-in-residence at the American Academy in Rome and Berlin. Continue reading →

Experiencing Election Withdrawal? ARB is here to help!

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Are you in election withdrawal?  Don’t know what you will do without those election commercials?  Even if you are still celebrating the fact that you can turn on the TV and listen to a commercial that does not talk about Republicans, Democrats, unemployment, or debt, you may still enjoy this exhibit by the Museum of the Moving Image.  “The Living Room Candidate” holds presidential campaign videos from every presidential election since 1952.  It provides an interesting look at the issues of each of those elections and the changes in presidential campaigning since the mid-20th century.  For example, look at the cartoons and catchy tunes used in the commercials of John F. Kennedy and Dwight Eisenhower, and then the references to violence in the commercials of both Nixon and Humphrey in 1968.  See how the families of candidates have been used in campaign commercials over the past sixty years, and make sure to look for any television or movie stars who might show up in a commercial.

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The Best Show In Town

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By:  Angela Vanderbilt

The construction of the subway seems to have been something of a spectator sport in Cincinnati, with groups of onlookers crowding along the banks of the old canal and hovering over the rails of bridges, watching as workmen dug out the canal bed to build the framework for tracks and tunnels.

Men looking over construction site Continue reading →

ARB Celebrates the John Cage Centennial Festival

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By Lauren Fink

John Cage conductingAfter approximately 18 hours of straight playing on Monday, Erik Satie’s Vexations kicked off CCM’s John Cage Centennial Festival. The Archives and Rare Books Library would like to contribute to the festivities by sharing images and information about its collections of and related to John Cage.

Since John Cage was a composer-in-residence at CCM during the 1966-67 academic year, we have writings and images of him in our University Archives. Of special note are the Van Meter Ames Papers – which document the friendship between Cage and UC philosophy professor Ames (the pair most likely bonded over their shared passion for Zen Buddhism) – and the biography files of both Cage and Ames. Continue reading →

Remembering the Who Tragedy

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By Kevin Grace

This week I’m reading Pete Townshend’s recently published autobiography, Who I Am, and it brought to mind how we document part of his life here in the Archives & Rare Books Library.  It was nearly 33 years ago that The Who played Riverfront Coliseum in Cincinnati on December 3, 1979 and eleven people were killed in a stampede for festival seating.

Aftermath of stampede at Who Concert

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Subway and Street Improvements Project Digitization Taking Shape

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By:  Angela Vanderbilt

Digitally preserving eighty-year-old negatives and prints for online access requires clear guidelines and close attention to detail to ensure all information contained in the photographic records is captured. Such a project also requires careful organization of the physical collection so that all assets may be accounted for through each stage of the project. Finally, close inspection of the digital rendering is necessary to ensure the highest quality of scanned images is obtained and preserved for future use.

Due to the unstable nature of the negatives, safe handling of the physical material is a priority both during the organization phase of the project at the Archives & Rare Books Library, as well as during the scanning phase at Robin Imaging Services. Proper handling will not only protect the physical condition of the negatives and prints, but of those handling them, as well! While organizing the collection, I wear cotton gloves to avoid contact with the negatives and a filtered mask to avoid breathing in any fumes that the negatives may be putting off as they deteriorate. I also use a metal spatula to lift and separate each individual negative. This allows me to create an itemized list of each asset in a spreadsheet, which will be used to generate the metadata that is required to build the online collections. It will also give us a final tally on total number of negatives and prints contained in the collection. Continue reading →

Silver Linings and Early Birds: Weather Lore in the Southwest Ohio Folklore Collection

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By:  Molly Gullett

The ability to predict and foresee oncoming weather has long fascinated humans. Before advanced Doppler technology and the ability to capture satellite images, weather prediction methods were passed through generations by way of proverbs and superstitions. The Southwest Ohio Folklore Collection features such lore and shows the interesting ways that it continues to be cycled because of its (sometimes surprising) accuracy.

Almanac from 1818Jennifer L. Collins’ contribution to the folklore collection has a wide range of weather lore from Southeastern Indiana farmers who depend on the proverbs’ precision even in contemporary times. Even before almanacs became popular, easy to remember lines were most effective for passing the tradition of weather lore. A fairly common proverb of Southern Ohio is “Red sky at night, sailors delight, Red in the morning, sailors take warning.” This lore can be traced back at least to biblical times where it is paraphrased in Matthew 16:3 “And in the morning, It will be foul weather today: for the sky is red and lowring” (King James Bible). Continue reading →

Cincinnati Ballet at 50-Preparing for a Celebration

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Salome

Colleen Giesting in Salome

By Suzanne Maggard

The Archives and Rare Books Library has been working with Cincinnati Ballet to prepare for their 50th anniversary season which begins in 2013.  As part of the celebration, David Lyman, the dance writer for The Cincinnati Enquirer, is working on a book about the ballet.  Lyman was contracted to write the book by the Cincinnati firm, Allegori, who, in turn, has a contract for the book with Cincinnati Ballet.  Lyman has been doing research on the ballet using Cincinnati Ballet records and the David McLain and David Blackburn Collection held in the Archives and Rare Books Library.  Photos and slides from these records are currently being scanned for use in the book which will be released in 2013.  Although the images in this blog post are not necessarily ones chosen for the book, they are a sampling of the some of the images in the collections.

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