By:  Sydney Vollmer

What’s more chilling than a good book? Perhaps the ghost that guards them. It’s been awhile since my encounter…but I decided that the world needed to know about our much rumored ghost.

Whether it is a he or she, we cannot say. For the sake of time and space, let’s call it a “he.” He resides in our rare books room here in the Archives & Rare Books Library in Blegen—one level above the library space that is open to the public. Some background on the rare books room:  it’s cold (necessary for preservation), it’s dark, (again, necessary), and it’s spooky (necessary for preservation?).  When you get up the stairs and open the massively heavy door, all the lights are off. Each individual row of book shelves has its own light. Last year, one didn’t. Continue reading →

By:  Sydney Vollmer, ARB Intern

ISA, a much friendlier acronym than another “IS” we know, stands for the International Shakespeare Association. Why wouldn’t the world have an ISA? It’s one of those organizations I always assumed exists, but in that unspoken sort of way. As it turns out, I was incorrect, as this organization is very much established.

The idea was conceived during a World Shakespeare Congress (more on that in a bit) held in Vancouver in 1971. Since then, the organization has evolved with the mission of:

Offer[ing] an opportunity for individuals and institutions to join together to further the knowledge of Shakespeare throughout the world… The ISA’s central commitments are to advance the education of the public by furthering the study of Shakespeare’s life and work by such means as the Trustees determine, including by:

• Organising, holding, and promoting participation in the World Shakespeare Congress and disseminating the learning from that event;
• Offering advice and assisting in the establishment of national or regional Shakespeare associations. (WSC 2016).

Continue reading →

By:  Sydney Vollmer

Cordelia, Desdemona, Juliet, Lavinia, and Ophelia: What do these strange names have in common? For one, they are all women in Shakespeare’s plays, as you might have guessed. More specifically, they are all characters from his tragedies. Based on their individual circumstances, it’s easy to see that Shakespeare was not kind to his women—but to be fair, he wasn’t very kind to the men in these plays either. Even so, I’d like to point out that none of these women died because they did something wrong. Most of these women died as a result of men acting irrationally. Most of them were pawns in games of power or revenge. At least the men died because they were the ones that did something stupid, so some of them kind of deserved it. It’s hard to discern the order in which to rank these undeserved tragedies, but I’m going to go ahead and let Lavinia take the crown.

Poor Lavinia, from the devastating tragedy of Titus Andronicus, is the daughter of the play’s namesake. Her father deals in some shady business about who he is going to have her marry, and it ends with her being dragged through the woods by three men. It’s pretty easy to guess what they wanted to do with her in the woods. After they each had their fill, they cut off her hands and slit her tongue out of her mouth so she couldn’t reveal what had happened. Eventually, she was able to write out what had become of her by holding a stick in her mouth and writing in the dirt. Enraged, her father took revenge on the men. Then he realized that since his daughter was no longer innocent and this had happened out of wedlock, she was not fit for life. He then killed his daughter whom he had just worked so hard to avenge. Feel free to argue that another woman on this list had it worse, but I’m pretty sure we’re all in agreement on this one. Continue reading →