Mary Szybist is most recently the author of Incarnadine, winner of the 2013 National Book Award for Poetry. She is the recipient of fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Rona Jaffe Foundation, the Witter Bynner Foundation in conjunction with the Library of Congress, and the Rockefeller Foundation’s Bellagio Center. Her work has appeared in such publications as Best American Poetry, The Kenyon Review, Poetry, Ploughshares, and two Pushcart Prize anthologies. Her first book, Granted, won the 2004 GLCA New Writers Award and was a finalist for the National Book Critics Circle Award. A native of Williamsport, Pennsylvania, she now lives in Portland, Oregon where she teaches at Lewis & Clark College.
Look for recordings of this presentation soon in the digital collection, The Elliston Project: Poetry Readings and Lectures at the University of Cincinnati.
Learn more about Events sponsored by the Elliston Poetry Fund.
Like most museums, only about 25% of the holdings of the Oesper Collections
in the History of Chemistry are on public display at a given time. In order to make the remaining 75% available in some form, it was decided to initiate a series of short museum booklets, each dedicated to a particular instrument or laboratory technique of historical importance to the science of chemistry.
Each booklet would include not only photographs of both displayed and stored museum artifacts related to the subject at hand, but also a short discussion of the history of the instrument or technique and of its impact on the development of chemistry as a whole. Several of these booklets are expansions of short articles which have previously appeared in either the bimonthly series Museum Notes, which is posted on the Oesper website, or the series Ask the Historian, which appeared in the Journal of Chemical Education between 2003 and 2012.
The 29th issue of Museum Notes highlights a recent innovation in laboratory glassware known as the “fleaker” and traces its historical antecedents to a late 19th-century innovation known as the “beaker flask.”
Click here for all other issues of Notes from The Oesper Collections and to explore the Jensen-Thomas Apparatus Collection.
Newsletter, first published in 2002, contains the latest news and happenings from UC Libraries.
UC Libraries is transforming technology, people, space and information resources to “become the globally engaged, intellectual commons of the university – positioning ourselves as the hub of collaboration, digital innovation and scholarly endeavor on campus.”
It is in this spirit of transformation that we are changing the way in which we deliver Source to our readers. The online newsletter will still contain the latest information about the organization, people, places and happenings in UC Libraries, but will no longer be produced in print. By moving Source online, we are able to reach a greater number of readers on various devices – computers, phones, tablets and more.
Have you used the Cincinnati Subway and Street Improvements collection yet? See digital.libraries.uc.edu/subway. You’ll find the story of the unfinished Cincinnati subway and a map showing the route the subway would have taken, linked to the photographs themselves.
Please complete our brief survey to help the University of Cincinnati Libraries improve the support and delivery of digital collections and to plan future digital collections.
As the culminating experience practicum for my Master of Library and Information Science degree, I am working on a digital collection of documents connected to the evolution of Patricia Renick’s Triceracopter: Hope for the Obsolescence of War. The finished library will illuminate the connections and processes–physical, social, and conceptual–concealed in the finished work. Along the way I’ll ruminate on issues and concepts related to digital libraries (DLs).
Triceracopter is a hybrid of parts with far-flung origins in space and time: part three-horned Rhinoceros-like creature that last walked the earth 66 million years ago, part war-damaged helicopter, the final manifestation of a series of forms that imprinted further forms under the hands, intellect, imagination; and will of a DAAP professor and sculptor whose life included shock treatment for a misdiagnosis of schizophrenia (Chapman 2003), decades of teaching art, and emergence as an internationally recognized artist.