On display in the 4th floor lobby of the Walter C. Langsam Library, the exhibit “The Kretschmer Collection of Native American Children’s Literature donated by Drs. Richard and Laura Kretschmer” features children’s books with Native American themes, written and illustrated by Native Americans. The books are part of a collection of over 275 books donated by Drs. Richard and Laura Kretschmer and housed in the College of Education, Criminal Justice and Human Services (CECH) Library.
Also included in the exhibit are Native American history and culture resources from the collections of UC Libraries. Included are movies, e-journals and online digital collections and databases.
The exhibit was designed by Sophia Xu, design student in the College of Design, Architecture, Art and Planning and UC Libraries’ Communications Department design co-op student, and curated by Cheryl Ghosh, head of the CECH Library. The exhibit is done in conjunction with the traveling exhibition “Native Voices: Native Peoples’ Concepts of Health and Illness,” on display in the Donald C. Harrison Health Sciences Library July 23-August 30.
The Donald C. Harrison Health Sciences Library has been selected in a competitive application process to host Native Voices: Native Peoples’ Concepts of Health and Illness, a traveling exhibition to U.S. libraries.
Native Voices explores the interconnectedness of wellness, illness and cultural life for Native Americans, Alaska Natives and Native Hawaiians. Stories drawn from both the past and present examine how health for Native People is tied to community, the land and spirit. Through interviews, Native People describe the impact of epidemics, federal legislation, the loss of land and the inhibition of culture on the health of Native individuals and communities today.
As one of 104 grant recipients selected from across the country, the Donald C. Harrison Health Sciences Library will host the traveling exhibition July 23 through Aug. 30, 2018.
The U.S. National Library of Medicine (NLM) developed and produced Native Voices: Native Peoples’ Concepts of Health and Illness. The American Library Association (ALA) Public Programs Office, in partnership with NLM, tours the exhibition to America’s libraries. Native Voices: Native Peoples’ Concepts of Health and Illness was displayed at the NLM in Bethesda, Maryland, from 2011 to 2015. To learn more and view content from the exhibition, visit http://www.nlm.nih.gov/nativevoices.
In association with the Native Voices exhibit, related events have been scheduled to explore the topic of Native Peoples’ Concepts of Health and Illness. The first scheduled event is keynote speaker Suzanne L. Singer scheduled for 5-7:30 p.m., Thursday, July 26, in the CARE/Crawley Atrium (Medical Sciences Building, 231 Albert Sabin Way). Throughout August, lectures that cover such topics as “The Contribution of Native Voices to Medicine through Botany,” “Breaking Bread: A Perspective of Fry Bread and Native Health” and “Preventing Tuberculosis while Regulating Indigenous Bodies” have been scheduled in the Stanley J. Lucas, MD, Board Room, E level of the Medical Sciences Building near the Kresge Circle.
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In this edition of Source we highlight some of the University of Cincinnati Libraries’ newest endeavors in digital collections. From the latest version of the university’s digital repository, Scholar@UC, to a new archive space for special collections, to our recent membership in the large-scale collaborative repository HathiTrust, UC Libraries has made great strides in increasing our digital footprint and exploring new ways to enhance our user’s scholarship and the ways they can access and utilize our collections.
Cincinnati lies just at the border or outer edge of Appalachia, a cultural region in the Eastern United States that stretches from the Southern Tier of New York to northern Alabama, Mississippi and Georgia and includes portions of Pennsylvania, Ohio, North and South Carolina and all of West Virginia. A new exhibit on display on the 4th floor lobby of the Walter C. Langsam Library showcases resources from UC Libraries in celebration of Appalachian culture and heritage. Included are resources from the collections of the Albino Gorno Memorial (CCM) Library, Geology-Mathematics-Physics Library, the Donald C. Harrison Health Sciences Library, College of Engineering and Applied Sciences Library, the Robert A. Deshon and Karl J. Schlachter Library for Design, Architecture, Art and Planning (DAAP), and Langsam. Also featured are online resources that showcase and inform about Appalachian culture.
The exhibit was curated by UC Libraries’ Mikaila Corday, Susan Banoun and Carissa Thatcher. It was designed and produced by Sam Kane, communications design co-op student, and Melissa Cox Norris.
A bibliography of Appalachian resources in the exhibit and more is available online.
On display on the 5th floor lobby of the Walter C. Langsam Library, the exhibit – The Lucille M. Schultz Archive of 19th-Century Composition – celebrates the recent donation to the university by professor emeritus Lucille M. Schultz of an archive of 19th-century textbooks collected while she researched her award-winning book The Young Composers. To write her book, which analyzes writing curriculum for children and demonstrates its continued relevance today, Lucy visited dozens of archives where she was fascinated by the lively illustrations and unusual writing prompts in the old textbooks. The exhibit features some of these writing prompts along with illustrations from the texts.
Lucy’s archive is available for viewing via the university’s digital repository Scholar@UC.
The creation of the exhibit was a collaboration between the Libraries and Kelly Blewett, a doctoral candidate in rhetoric and composition at UC, along with her colleague and fellow graduate student Ian Golding. It was designed by communications College of Design, Architecture, Art and Planning (DAAP) design co-op student Sam Kane.
How do you determine the starting date of the University of Cincinnati Libraries when from the university’s founding in 1819, books played an important part in the education of students?
As early as 1875, a collection of books could be found in the various classrooms of University Building (now McMicken). These materials were selected for daily reference use and were acquired through various departmental funds. In 1883, a small working library was established in the Academic Department (College of Liberal Arts). However, it is in 1892 that the Libraries were officially recognized as a distinct administrative unit of the university by the Board of Directors (as the Trustees were called at the time) with the naming of a dean and the establishment of a separate general library apart from small departmental libraries maintained by faculty members. William Everett Waters, professor of Greek and comparative philology, was appointed the first Dean and University Librarian and would serve until 1894. Thus, 2017 marks the 125th anniversary of the University of Cincinnati Libraries.
To mark the occasion of our 125th anniversary, we have compiled an exhibit of photographs of the libraries past and present – from the first library in Van Wormer to the stately Blegen Library to Langsam Library, UC Libraries have changed considerably in 125 years.
The photographs are also on display in the 5th floor lobby of the Walter C. Langsam Library. They are from the collections of the Archives and Rare Books Library and UC Libraries Communications Department.
In 1517, Martin Luther wrote his 95 theses criticizing the practice of indulgences of the Catholic church. He was disturbed by the fact that the faithful were allowed to offer money as penance for their sins. The publication of the 95 theses is considered as the starting point of the Reformation, which marks its 500th anniversary on October 31, 1517, the date long assumed that Luther nailed his theses to the door of the Castle Church at Wittenberg.
A new exhibit on display on the 4th floor lobby of the Walter C. Langsam Library, as well as spread throughout the 4th floor of the library, highlights the complex and multifaceted legacy of the Reformation. It combines publications from the University of Cincinnati Libraries’ collections and the poster exhibition “Here I Stand. Martin Luther, the Reformation and its Results.” Included in the exhibit is a list of other Cincinnati events that commemorate the 500th anniversary of the Reformation (listed below). The exhibit was curated by Richard Schade, professor emeritus of German studies in the College of Arts and Sciences, and Olga Hart, coordinator of library instruction in the Research and Teaching Services Department and German subject librarian. It was designed and produced by Sami Scheidler, summer communications co-op design student from the College of Design, Architecture, Art and Planning, and Melissa Cox Norris, director of library communications.
Martin Luther, and the movement he triggered in 1517, remain central topics in the history of the Western civilization. The Reformation forever altered the face of Europe. Century-old institutions disappeared, to be replaced by new ones. Borders changed, national churches emerged and religious tensions erupted into global conflicts. The Reformation’s positive repercussions can be seen in the intellectual and cultural flourishing it inspired on all sides of the schism—in the strengthened universities of Europe, the Lutheran church music of J.S. Bach, the baroque altarpieces of Peter Paul Rubens and even the capitalism of Dutch Calvinist merchants. The exhibit includes images of woodcuts, broadsheets, pamphlets and music that show the transmission of information and opinion during the Reformation. A Reformation Bibliography (PDF) of related library resources can be found at the exhibit and online.
Join us Monday, September 18, 3-5pm on the 4th floor of Langsam Library for an opening reception for the Reformation 500 exhibit. Brief remarks will be given by Dan Gottlieb, interim associate dean for public services for UC Libraries, Richard Schade, Martin Wilhelmy, honorary consulate for Germany in Cincinnati, and Herbert Quelle, consulate general for Germany.
It is a color that has both negative and positive connotations, is symbolic of mysticism, social rank, both high and low emotions, and of serenity and wisdom. Blue is a color that is a signifier of both Hell and purity, of luxury and dignity. There are as many interpretations of what “blue” symbolizes as there are cultures in the world.
And the symbolism of the color is the rationale behind an online exhibit created by Archives & Rare Books Library. Intended to highlight the spectrum of rare books in the collections, the selections show the cultural diversity over the ages of this particular color. Nineteen volumes are represented in the exhibit, with several examples from each of illustrations and bindings, ranging from a 15th century illuminated book of hours to early Qur’ans and Persian poetry. There are botanicals, fairy tales, Art Deco bindings, Asian drawing manuals, pochoir pattern books, and Turkish ebru marbled paper. Each indicates a specific use of blue that depends on religion, technology, or geographical heritage. Continue reading The Mystery and Emotion of “Blue”