Join UC Libraries and the Elliston Poetry Room for a hands-on discussion and workshop about creating Cento poetry.
Thursday, Nov. 14, 6:30pm
Elliston Poetry Room, 646 Langsam Library
Katie Foran-Mulcahy, librarian and head of the College of Education, Criminal Justice and Human Services Library, will begin the event with an overview of library collections. She will instruct how to navigate the stacks and then give directions on how to proceed with a scavenger hunt to find resources to collect lines from various texts.
Dior Stephens, poet and PhD graduate student in the College of Arts and Sciences, will then lead participants in a workshop to create their own Cento poem. Dior will introduce the Cento form, its history and creative potential, and explain that participants can use lines from any genre of books they find in the stacks to create their own poems.
The event is free and open to all to attend. Come to learn about and create a Cento poem.
At the next event, scheduled for Wednesday, Sept. 11 at 4:30pm, three poets will read their original work:
Armando Romero, poet, narrator, literary critic and UC Charles Phelps Taft Emeritus Professor. He belonged to the initial group of Nadaism, literary avant-garde in Colombia. He has lived in numerous countries in both America and Europe. Armando has published numerous books of poetry, fiction and essays. In 2022 his book No era aquí. Álvaro Mutis: faces and traces of Maqroll el Gaviero, appears in Madrid published by the Center of Modern Art. His anthological book of prose poems, Poeta di Fiume, is published this year by the Fili D’Aquilone publishing house, Rome, Italy. Armando will be accompanied by his wife, Constance Lardas, who will read English translations of his poems.
James O’Bannon is a Black writer from Cincinnati, Ohio. His writing reflects on grief, Black mental health and how we engage with our own memory. James owes everything to his grandmother, who instilled a love of reading and language in him from a young age. James is a Tin House Workshop Alumna, and a finalist for the Ghost Peach Poetry Prize. His work has appeared in Waxwing Literary Journal, Nomadic Press as part of the Nomadic Ground Series, Triquarterly, Northwest Review, among other journals.
Erin Noehre is a poet currently writing and studying at the University of Cincinnati, where she is an Albert C. Yates Fellow. She holds an MFA in Creative Writing from Arizona State University where she was a 2020-2021 June Jordan Teaching Fellow. Her work has been featured in Pigeonholes, Sonora Review, Passages North and elsewhere.
The Poetry Stacked Anthology, Volume 1 features the work of the poets, artists and dancers of the 2022-23 series. Accomplished poets featured in the Poetry Anthology, Volume 1 include University of Cincinnati faculty members Alecia Beymer, Elijah Guerra, Aditi Machado and Felicia Zamora, along with current and former University of Cincinnati students Hussain Ahmed, Taylor Byas, Casey Harloe, Asher Marron, Nicholas Molbert, Dior Stephens and Connor Yeck. Community poets bring a vibrancy to the Poetry Anthology with Manuel Iris, Violeta Orozco, Caroline Plasket, Kristen Renzi and Ohio Poet Laureate Kari Gunter-Seymour.
Art, dance and poetry coalesce in the Poetry Anthology highlighting the UC College-Conservatory of Music students Sydney D’Orso, Emilia Mieczykowski and Gracie Zamiska and College of Design, Architecture, Art and Planning artists Kyle Angel, Kelsey Linder and Pedal Miranda.
The Anthology is a true artist book. Printed on bright pink paper with a four-part insert on colorful paper, its structure is an accordion fold that reveals each part upon opening. The first three parts include poems, artwork and illustrations from the featured 16 poets of the 2022-23 Poetry Stacked reading series. The fourth part features an Editor’s Note from student editor Grace Guy and biographies of the poets, artists and dancers.
The reverse side includes a list of the poets, the Poetry Stacked branding and two pockets – one containing the Poetry Stacked sticker and another for the book’s owner to fill.
The Anthology was a collaboration between the Elliston Poetry Room, University of Cincinnati Libraries, the Preservation Lab and the University of Cincinnati Press. The Anthology was edited by Grace Guy, Ben Kline and Michael Peterson.The form was created by Holly Prochaska with Melissa Cox Norris designing the layout and cover art. Jessica Ebert, Catarina Figueirinhas, Hyacinth Tucker and Holly Prochaska assembled the Anthology.
A semi-regular poetry reading series held in the 6th floor east stacks of the Walter C. Langsam Library, the mission of Poetry Stacked is to celebrate poetry and raise awareness of the collections of both UC Libraries and the Elliston Poetry Room.
Each reading engages audiences via exposure to contemporary poetry and increases appreciation for both the talents of UC and community poets, as well as for poetry itself. Poetry Stacked is free and open to all to attend. Following each reading, guests are invited to tour the Elliston Poetry Room.
The next event, scheduled for Wednesday, April 10 at 4pm, will be an expanded program in celebration of National Poetry Month. The poetry reading will feature four University of Cincinnati student poets (pictured above clockwise from top):
Holli Carrell is a writer originally from Utah, now living in Cincinnati, where she is pursuing a Ph.D. in creative writing at the University of Cincinnati with a certificate in women’s, gender, and sexuality studies. Her poems have recently appeared in 32 Poems, The Journal, Salt Hill, Bennington Review, Quarterly West, Blackbird, Poetry Northwest, and other places. She currently serves as an assistant editor at The Cincinnati Review.
Tyler McDonald is a 3rd year undergraduate student at the University of Cincinnati studying Creative Writing and Professional Writing. He is a poet whose work deals with survivorship, relationships, and exploring personal identity. His poetry has appeared in Short Vine, Outrageous Fortune, and Mind Swimmer. In 2022, he was the recipient of the Robinson Essay Prize. Outside of writing, he can be found serving coffee, wandering nature, and copyediting the work of other writers.
Andy Sia is a poet and scholar from Brunei currently residing in Cincinnati. His recent manuscript, Sleuth, engages with whodunnit tropes and is an exploration of modes of reading and habitation. He is currently researching theories of reading and books as objects.
Grace Guy is a poet and writer, who currently splits her time between Cincinnati and Toledo. She is an undergraduate student studying English at the University of Cincinnati. Their poetry can be found in Short Vine Literary Journal. She is the recipient of an honorable mention for the 2023 Academy of American Poets Prize (Undergraduate Prize). When in Toledo, they work at a local coffee shop which they absolutely love.
Read these articles, as well as past issues, on the website. To receive Source via e-mail, contact melissa.norris@uc.edu to be added to the mailing list
Read Source, the online newsletter, to learn about the news, events, people and happenings in UC Libraries.
In this issue of Source, Liz Kiscaden, dean and university librarian, writes about Creating a shared vision for UC Libraries, and in an interview we learn more about her professional background, immediate goals for the new position and her early impressions of UC Libraries, as well as how she is having fun exploring Cincinnati.
Read these articles, as well as past issues, on the website. To receive Source via e-mail, contact melissa.norris@uc.edu to be added to the mailing list.
At the next event, scheduled for Wednesday, November 1 at 4:30pm, three poets will read their original work:
Alecia Beymer – poet and educator whose work has appeared in The Inflectionist Review, Sugar House Review, SWWIM, Rust & Moth, Radar Poetry, among others. She was a finalist for the Marica and Jan Vilcek Prize for Poetry for her poem, “Tree Surgeon,” which appeared in Bellevue Literary Review. She was also a semi-finalist for the Francine Ringold Awards for New Writers from Nimrod Journal. She won second place in the Wisconsin People & Ideas contest; first place in the Kay Saunders Emerging Poet Award through The Wisconsin Fellowship of Poets and was a runner-up in the Ohio Writer’s Contest through Gordon Square Review. Alecia has worked at the Center for Poetry at Michigan State University, as an assistant editor at Autumn House Press, and as an assistant editor in Poetry for Fourth River. Several of her articles discussing variations on poetics, pedagogy, and methodology have published in English Education, Art/Research International, English in Education, Research in the Teaching of English among others. She graduated with her PhD in Curriculum, Instruction and Teacher Education at Michigan State University. Currently, she is assistant professor – educator in the Department of English at the University of Cincinnati.
Kristen Renzi – associate professor of English at Xavier University, where she teaches classes in Victorian and Transatlantic Literature, feminist and queer theory, and poetry. She has published a critical monograph, An Ethic of Innocence (Suny Press 2019) and two books of poetry, The God Games (Main Street Rag press, 2017) and Saudade for a Breaking Heart (Dos Madres, 2022). She’s working on a new critical project involving Victorian-era love letters and a poetry collection on motherhood. She loves to create artist books and zines in her spare time.
Violeta Orozco – author of three poetry collections in English, The Broken Woman Diaries (Andante Books 2022), Stillness in the Land of Speed (Jacar Press 2022) and Atlas of An Ancient World, available for preorder by Black Lawrence Press. An internationally multi-award-winning writer from Mexico City, Violeta Orozco is a bilingual Latina poet and fiction writer who has earned an honorific mention by the Academy of American Poets, The Latino Book Award, and The Rising Stars Award. Her first nonfiction collection in Spanish was published this year in Mexico City. She is currently studying her Ph.D. in Romance Languages and Latinx Literature with a creative writing concentration at the University of Cincinnati.
At the next event, scheduled for Wednesday, Sept. 27 at 4:30pm, three poets will read original works.
Elijah Guerra is a poet and collage artist whose poetry is forthcoming in DREGINALD and Permafrost and whose collages appear in The Spectacle. They received their PhD in English from University of Missouri, Columbia. They teach rhetoric and composition at University of Cincinnati.
Rebecca Griswold’s debut collection of poems, “The Attic Bedroom,” is out now with Milk & Cake Press (2022). Her poems have appeared in Cimarron Review, Superstition Review, Blood Orange Review, Revolute, Pine Mountain Sand & Gravel, among others. She is an MFA candidate at Warren Wilson, and she was a finalist for the River Styx International Poetry Contest. She’d describe herself as equal parts Valentine’s Day and Halloween. She owns and operates White Whale Tattoo alongside her husband in Cincinnati.
Asher Marron is a PhD student in poetry at the University of Cincinnati. They hold an MFA from San Francisco State, where they were a William S. Dickey Fellow. Asher’s chapbook, “We were alone together. I forget the rest.”, was the winner of the 2020 San Francisco Pandemic Chapbook Contest. Their book, “Unbind(ing),” was published in 2018 through Conviction 2 Change Press. Their poems appear in journals including 14 Hills and Transfer Magazine, and the Enfleshed anthology, Held: Blessings for the Depths.
The mission of Poetry Stacked is to celebrate poetry and raise awareness of the collections of both UC Libraries and the Elliston Poetry Room.
Each reading engages audiences via exposure to contemporary poetry and increases appreciation for both the talents of UC and community poets, as well as for poetry itself. Poetry Stacked is free and open to all to attend. Following each reading, guests are invited to tour the Elliston Poetry Room.
The intent of the series is to enrich and engage the UC campus and Cincinnati communities in accordance with the Libraries’ Strategic Framework and the Next Lives Here Strategic Directions in support of Academic Excellence and Community Engagement. It aligns with the Libraries’ vision as the globally engaged, intellectual commons of the university – positioning ourselves as the hub of collaboration, digital innovation, and scholarly endeavor on campus and beyond.
Can’t make it to Poetry Stacks in person? It will be live streamed via the Elliston Poetry Room’s Instagram. And look for information soon about the November 1st Poetry Stacked.
Hosted by the University of Cincinnati Libraries and the Elliston Poetry Room, the Data & Poetry | Poetry & Data Workshop: Attributes of the Code & the Line will explore how data and poetry inform and influence each other, the impact of emerging Artificial Intelligence (AI) programs on poetry and literature, as well as the implications this presents for copyright.
Join us Tuesday, Sept. 12, 3-5pm in the Elliston Poetry Room (6th floor of the Walter C. Langsam Library) for a panel discussion and Q&A led by poets, data professionals, AI researchers and a legal expert. While you may not leave with answers, you will leave with thoughts, resources and more questions.
The panelists are:
Ben Kline is the assistant department head for research, teaching and services at UC Libraries. A poet in his non-library life, Ben believes poets should be empowered to harness data, data tools and our collective knowledge to create work that invigorates and challenges ideas about art and technology.
Amy Koshoffer – as the assistant director of research and data services, Amy promotes data literacy skills particularly data sharing and data management.
Kay Bancroft – a poet, editor, educator and artist, Kay merges creative writing with pre-existing structures, data and more.
Mark Chalmers – science and engineering librarian. Among his other areas of expertise, Mark manages the CEAS Library’s coding workshops and is an AI enthusiast.
Tim Armstrong – a lawyer and technologist, Professor Armstrong studies the intersection of advanced communications technologies and intellectual property law.
The workshop is part of Poetry Stacked programming and the Data and Computational Series. It is sponsored by a Universal Provider Award from the Provost Office.
