Read Source, the online newsletter, to learn more about the news, events, people and happenings in UC Libraries.
This latest issue of Source includes an article with Xuemao Wang, dean and university librarian, about how UC Libraries is utilizing Organizational Development to help bring about transformational change. Kevin Grace, university archivist and head of the Archives and Rare Books Library writes about the Enoch Carson Shakespeare Collection and how it will be a part of autumn 2017 Shakespeare celebrations in Cincinnati. Another great reading collection, the Cohen Enrichment Collection, is also featured in this issue.
Other articles in Source include an update on two UC Libraries Strategic Plan initiatives – eLearning and Digital Literacy and the Digital Scholarship Center, a recap of the most recent annual Cecil Striker Lecture and the addition of Beethoven’s “Life Mask” in the Albino Gorno Memorial (CCM) Library. Read these articles and more.
Source is available on the web at http://libapps.libraries.uc.edu/source/ and via e-mail. To receive Source via e-mail, contact melissa.norris@uc.edu to be added to the mailing list.


In my previous blog I mentioned that the Cincinnati Shakespeare Company would be putting on free productions of Merry Wives of Windsor this summer as part of its Shakespeare in the Park series. If you’ve read the play or seen the show, you know a main plot point is about Sir John Falstaff and how he tries to seduce Mistress Page and her best friend, Mistress Ford—at the same time. Both women, faithful to their husbands, decide to create quite the fool out of Falstaff by feigning interest and arranging secret meetings between Falstaff and Mistress Ford. Those meetings are always interrupted by Master Ford coming home, thus putting Falstaff in precarious positions. One of the most notable scenes involves Falstaff donning a dress, pretending to be the fat aunt of the Fords’ servant so he can leave the house without being recognized. It’s been long thought of as one of the funniest scenes in the play…why? What is it about a man in a dress that gives us a big chuckle? 
