Welcome Back, Bearcats! Celebrate a new academic year with the College of Education, Criminal Justice, Human Services and IT (CECH) Library by visiting our location at 300 Teachers Dyer Complex and participating in one of the many fun activities going on now through August 30th.
How well do you know UC Libraries? Test your knowledge with a library scavenger hunt. Follow the clues through the CECH Library to discover more!
Explore our newly refreshed MakerLab with our MakerLab BINGO boards! Try out our equipment and make something fun, crossing off squares as you go. With this self-guided activity, you are always the winner!
Just passing through? Don’t forget to visit our Welcome Week info table with free UC Libraries swag.
We hope to see you soon!
On behalf of the CECH Library, Rachel Hoople, operations supervisor
At the next event, scheduled for Wednesday, Sept. 11 at 4:30pm, three poets will read their original work:
Armando Romero, poet, narrator, literary critic and UC Charles Phelps Taft Emeritus Professor. He belonged to the initial group of Nadaism, literary avant-garde in Colombia. He has lived in numerous countries in both America and Europe. Armando has published numerous books of poetry, fiction and essays. In 2022 his book No era aquí. Álvaro Mutis: faces and traces of Maqroll el Gaviero, appears in Madrid published by the Center of Modern Art. His anthological book of prose poems, Poeta di Fiume, is published this year by the Fili D’Aquilone publishing house, Rome, Italy. Armando will be accompanied by his wife, Constance Lardas, who will read English translations of his poems.
James O’Bannon is a Black writer from Cincinnati, Ohio. His writing reflects on grief, Black mental health and how we engage with our own memory. James owes everything to his grandmother, who instilled a love of reading and language in him from a young age. James is a Tin House Workshop Alumna, and a finalist for the Ghost Peach Poetry Prize. His work has appeared in Waxwing Literary Journal, Nomadic Press as part of the Nomadic Ground Series, Triquarterly, Northwest Review, among other journals.
Erin Noehre is a poet currently writing and studying at the University of Cincinnati, where she is an Albert C. Yates Fellow. She holds an MFA in Creative Writing from Arizona State University where she was a 2020-2021 June Jordan Teaching Fellow. Her work has been featured in Pigeonholes, Sonora Review, Passages North and elsewhere.
As the University of Cincinnati Donald C. Harrison Health Sciences Library welcomes the 2024-25 College of Medicine students and faculty back to the academic calendar, they are greeted by the new installation of MEDSTEPS. The sculpture is the work of renowned artist and scientist Wolfgang Ritschel (1933-2010). It is located on the G-level of the Health Sciences Library.
Dr. Ritschel described MEDSTEPS as:
Stairs may have different purposes and meanings. Essentially, they are a means to reaching different levels, both literally and figuratively speaking. This sculpture uses stairs or, rather steps on a ladder, as a metaphorical form of expression in paying tribute to the development and advancement of medicine from its beginnings at the dawn of time – including Chinese, Egyptian, Greek, and Native American medicine with their symbols as shown in the stained-glass panels – to computerized medicine, along with corresponding “step-by-step” technological progress in diagnosis and therapy. Medicine and the arts were always intertwined, as is suggested by the common expression “medical arts.” In fact, in 15th-century Europe, physicians, pharmacists and artists all belonged to the same guild, a development which presumably originated with the use of mortar and pestle as a grinding tool for both pharmaceutical substances and pigments. I like to think of this as part of my personal and artistic statement in sculptures with a medical theme.
The sculpture is composed of stainless steel, gold leaf, stained glass, lead, polymer, paint, wood and measures 91” x 51” x 22”.
Did you know that students at UC Clermont can check out some course textbooks from the library?
Every semester the library receives a textbook list from the bookstore and we work to put items on course reserve here. We identify course textbooks that are over $100 and try to buy those from the bookstore, our vendors, or by other means if we can. If we happen to have a course book that is under $100 that is already in our existing collection, we will also put those items on course reserve when we find them. Unfortunately we aren’t able to buy some textbooks even if they’re over $100 because they are custom, loose leaf, subscription, or rental only, but we do our best! As of last year, we default to ordering an eBook copy if it is available. If no eBook copy is available for library purchase and circulation, then we will buy a physical copy.
The reserves we have can be seen organized by instructor name at this link. They can be seen organized by class name/number at this link.
Physical reserves check out for four hours and can be used in the library, some are available as ebooks and can be accessed online any time. Visit UC Clermont Library’s front desk to check out physical reserves.
If you have any questions about course reserves or are an instructor that would like for us to add an item to reserves for any of your courses, please contact the library at clermontlibrary@uc.edu.
The Poetry Stacked Anthology, Volume 1 features the work of the poets, artists and dancers of the 2022-23 series. Accomplished poets featured in the Poetry Anthology, Volume 1 include University of Cincinnati faculty members Alecia Beymer, Elijah Guerra, Aditi Machado and Felicia Zamora, along with current and former University of Cincinnati students Hussain Ahmed, Taylor Byas, Casey Harloe, Asher Marron, Nicholas Molbert, Dior Stephens and Connor Yeck. Community poets bring a vibrancy to the Poetry Anthology with Manuel Iris, Violeta Orozco, Caroline Plasket, Kristen Renzi and Ohio Poet Laureate Kari Gunter-Seymour.
Art, dance and poetry coalesce in the Poetry Anthology highlighting the UC College-Conservatory of Music students Sydney D’Orso, Emilia Mieczykowski and Gracie Zamiska and College of Design, Architecture, Art and Planning artists Kyle Angel, Kelsey Linder and Pedal Miranda.
The Anthology is a true artist book. Printed on bright pink paper with a four-part insert on colorful paper, its structure is an accordion fold that reveals each part upon opening. The first three parts include poems, artwork and illustrations from the featured 16 poets of the 2022-23 Poetry Stacked reading series. The fourth part features an Editor’s Note from student editor Grace Guy and biographies of the poets, artists and dancers.
The reverse side includes a list of the poets, the Poetry Stacked branding and two pockets – one containing the Poetry Stacked sticker and another for the book’s owner to fill.
The Anthology was a collaboration between the Elliston Poetry Room, University of Cincinnati Libraries, the Preservation Lab and the University of Cincinnati Press. The Anthology was edited by Grace Guy, Ben Kline and Michael Peterson.The form was created by Holly Prochaska with Melissa Cox Norris designing the layout and cover art. Jessica Ebert, Catarina Figueirinhas, Hyacinth Tucker and Holly Prochaska assembled the Anthology.
A semi-regular poetry reading series held in the 6th floor east stacks of the Walter C. Langsam Library, the mission of Poetry Stacked is to celebrate poetry and raise awareness of the collections of both UC Libraries and the Elliston Poetry Room.
Each reading engages audiences via exposure to contemporary poetry and increases appreciation for both the talents of UC and community poets, as well as for poetry itself. Poetry Stacked is free and open to all to attend. Following each reading, guests are invited to tour the Elliston Poetry Room.
As a member of OhioLINK, the state’s academic library consortium, University of Cincinnati authors have access to all Elsevier, Wiley, and Springer journals in addition to open access publishing benefits that are subject to an annual limit.
The Elsevier, Wiley, and Springer deals have a maximum number of articles per year that may be published as Open Access under this agreement. It is very likely that University of Cincinnati will reach its limit in 2024 for all 3 publishers. Find more details below. When the 2024 calendar year limit is reached, corresponding authors will no longer see the option to publish Open Access at no charge during their article publishing process.
Corresponding authors have two options: 1) they can choose to publish Open Access on their own and pay the APC, or 2) if they are submitting to a hybrid journal, they can choose to publish the article under the traditional subscription access model at no charge.
The University of Cincinnati Libraries’ catalog server will be offline for maintenance beginning at 9:00 a.m. August 14th. A server migration will be performed and is expected to take up to 8 hours.
Web connections to uclid.uc.edu, the library catalog, will be unavailable during this time. The Libraries website and other online services will still be available.
Thank you for your understanding while we perform maintenance.
Change happens. It’s a fact of life. For lots of reasons. Recent changes to the General Records Schedule, the document providing direction for the disposition of records generated by UC personnel, show that it’s no different for records retention. While slight, the changes were still essential to executing the records management program. What is as important as change happening is that these changes be documented for and shared with relevant stakeholders. Fortunately, at UC a process exists for that. It occurs in three phases: the reason behind the changes, how the GRS is updated, and communication of the changes.
