Join us for the Annual Preservation Lab Open House, Thursday, May 1, 2-4pm, 3rd floor Langsam Library. “More than Conservation” will include tours of the lab, demonstrations of projects and treatments, cookies, bookmarks, and stickers!
Want a sneak peek of the work of the Preservation Lab? Stop by Langsam Library’s 4th floor to learn about artist’s books and book arts, Tuesday, April 15, 2-3:30pm; and Thursday, April 17, 10:30am-noon to learn about the anatomy of a book.
Formed in 2012, the Preservation Lab is a book and paper conservation lab. The Preservation Lab provides the full suite of preservation services to the University of Cincinnati Libraries and, for a fee, to other cultural heritage institutions. The Preservation Lab’s expertise is in book and paper conservation, with services available in general circulating materials repair, single-item conservation treatment, housing, exhibition prep, and preservation consulting.
The University of Cincinnati Libraries celebrated the International Edible Books Festival on Tuesday, April 1, 2025.
Lexi Davis – Dragons Love Tacos – Best Overall
This year, we had an impressive 24 entries from students, librarians and staff, along with family, friends and retirees. There are few restrictions in creating an edible book – namely that the creation be edible and have something to do with a book. Today’s entries covered all genres – from fiction to non-fiction, animals, food, classics, contemporary titles and more.
Popular books represented on screen and now as edible books were “Dune,” “Bridgerton,” “Pride and Prejudice,” and “Twilight.” Children’s books made for popular edible books. This year we had “Charlotte’s Web,” “Freckle Juice,” “Too Many Carrots,” “Black Hearts in Buttersea,” and “Matilda.” Young Adult books made a presence this year with “Diary of a Wimpy Kid” and “Harry Potter.”
Animals were a theme this year with “Penguin Island,” “Dragons Love Tacos” and “How to Eat Fried Worms.” Both fiction, “The Warmth of Other Suns,” “Grapes of Wrath,” “The Silver Bone” and “White Teeth,” and non-fiction, “Eyes on the Prize,” “An Easy and Proven Way to Build Good Habits,” and “How Infrastructure Works: Inside Systems that Shape our World” were represented. Along with the 18th-century classic “De montibus, silvis, fontibus”
In addition to promoting the reading of books, we also use this event to promote and “judge” the creativity of our colleagues and friends in creating edible books. Thank you to the two esteemed judges: Brian Gray, associate dean for collections (non-edible collections), and Usha (oo-sh-uh), student staff member in the CECH Library. And the winners are…
Melissa Cox Norris – Penguin Island – Most Adorable
Sam Norris – Too Many Carrots – Most Noteworthy
Carly Fledderjohann – The Cheese Touch (Diary of a Wimpy Kid) – Most Noteworthy
Deborah Weinstein – Charlotte’s Web – Most Imaginative
Stephen Norris – The Silver Bone – Most Outrageous
Avery Rice – Pride and Prejudice – Most Checked Out
Melissa Cox Norris – Difficult Women – Most Out of this World
Aja Bettencourt-McCarthy – How Infrastructure Works: Inside the Systems That Shape Our World – Most Creative
Luahna Winningham Carter – Freckle Juice – Most Gruesome
Jakob Elliott – Dune – Silliest
Jessica Ebert – Black Hearts in Battersea (“buttercream”) – Most Delicious
Josh Zack, Tim Zack, and Debbie Tenofsky – Eyes on the Prize – Most Frightening
Holly Prochaska – How to eat fried worms – Most Clever
Yu Mao – Atomic Habits – An Easy & Proven Way to Build Good Habits & Break Bad Ones – Most Literary
Alex Temple – De montibus, silvis, fontibus – Most Technical
Suzanne Bratt – The Warmth of Other Suns – Most Timely
Lisa Haitz – The Grapes of Wrath – Most Fun
Clara Kelley – Harry potter sorting hat – Best Student Entry
Lexi Davis – Dragons Love Tacos – Best Overall
Congratulations to all the edible books creators! View the entries and the winners on the UC Libraries Facebook Page. See you next year for Edible Books 2026!
Clara Kelley – Harry potter sorting hat – Best Student Entry
At the next event, scheduled for Wednesday, April 16 at 4:30pm, a celebration of both National Poetry Month and the final event of the academic year, three poets will read their work:
Paige Webb is an interdisciplinary poet-scholar. Other categorical boxes to aid legibility: they’re a queer, neurodivergent being of settler descent and a doctor untrained in basic CPR. The aim of their work is to create space for curative touch in concert with the creative vitality in all beings (thanks to Gabrielle Civil, Hortense Spillers, and CAConrad for help with this language). They are a Charles Phelps Taft Fellow at the University of Cincinnati and recipient of [accolade], [accolade], [accolade]. You can find some of their work at Anomaly, Blackbird, Colorado Review, Denver Quarterly, DIAGRAM, Indiana Review, The Kenyon Review, Poets.org, Poetry Northwest, Verse Daily,Vinyl Poetry and Prose, West Branch and the chapbook Tussle.
Kristi Maxwell is the author of nine books of poems, including Wide Ass of Night (Saturnalia Books, 2025); Goners (Green Linden Press, 2023), winner of the Wishing Jewel Prize; Realm Sixty-four (Ahsahta Press, 2008), editor’s choice for the Sawtooth Poetry Prize and finalist for the National Poetry Series; and Hush Sessions (Saturnalia,2009), editor’s choice for the Saturnalia Books Poetry Prize. She’s the director of creative writing and an associate professor of English at the University of Louisville. Kristi holds a PhD in literature & creative writing from the University of Cincinnati and an MFA in poetry from the University of Arizona.
Dior J. Stephens is a Black, Queer poet, writer and the co-editor-in-chief of Foglifter Journal and Press. They are currently in the final year of their PhD in philosophy with a focus on creative writing at the University of Cincinnati. Dior’s debut full-length poetry collection, CRUEL/CRUEL (2023), was nominated for the 2024 Ohioana Book Award, and their collection Atomic I is forthcoming from Nightboat Books. A Cave Canem, Sewanee and Lambda Literary fellow, Dior has also been nominated for the Pushcart Prize and the Best of the Net. Their work critically engages with themes of language, identity, and resistance, contributing to the broader conversations in poetics and the Black/Diasporic experience.
Read Source, the online newsletter, to learn about the news, events, people and happenings in UC Libraries.
In this issue of Source, Liz Kiscaden, dean and university librarian, writes about how UC Libraries is taking advantage of funding opportunities to Invest in Strategic Priorities. The Archives and Rare Books Library announces receipt of a national grant to process historic Cincinnati schools desegregation case records.The Carl Solway Gallery Archive in the Robert A. Deshon and Karl J. Schlachter Library for Design, Architecture, Art and Planning (DAAP) Library is featured. Ted Baldwin, head of the Sciences Libraries, writes about how the razing of the iconic Crosley Tower will necessitate the move of the current Chemistry-Biology Library space to Braunstein Hall where it will merge with the Geology-Mathematics-Physics Library to become the Science Library opening fall semester.
Read these articles, as well as past issues, on the website. To receive Source via e-mail, contact melissa.norris@uc.edu to be added to the mailing list.
Before social media, even before xerox-copied zines and flyers, marginalized communities used simple copying techniques- hectography (gelatin printing) mimeography (stencil printing) and spirit duplication (alcohol transfers, also known as “ditto”)- to make their voices heard. From political activists struggling for independence in India to the early gay rights activists in New York City, and from the dissident writers of Samizdat (self publishing) in the Soviet Union to the striking migrant farm workers of Southern California, these analog copiers were used to spread the word through words and pictures in the 20th century.
Each year, librarian, zinester and lover of “arcane technologies” Rich Dana sets out across the US on a series of in-person workshops to demonstrate these low-cost techniques and how contemporary artists and writers can use them to publish editions of zines, chapbooks, prints, and flyers. The Archives and Rare Books Library and the Elliston Poetry Room are sponsoring Rich’s Cincinnati stop of his Obsolete Roadshow series on April 7, 2025.
Rich will present a hands-on workshop for UC students in the morning (sign up online or via the QR code below; space is limited to 25). In the afternoon, the public is invited to hear Rich talk about the history and use of the technologies and receive a hands-on experience, as well.
Both events will take place in the Elliston Poetry Room (Langsam Library 646). Come join us and get some ink on your hands!
Most University of Cincinnati Libraries locations have reduced hours for Spring Break, March 15-23. Check the library website for a list of hours by location.
Have a safe and rejuvenating Spring Break, Bearcats!
Know of a good book to eat?! Create an Edible Book for UC Libraries International Edible Books Festival!
It’s time once again for the fan-favorite International Edible Books Festival scheduled for Tuesday, April 1, 2025, 11 a.m. on the 4th floor of the Walter C. Langsam Library. UC Libraries is seeking people interested in creating an edible book for the enjoyment of all in attendance. There are few restrictions – namely that your creation be edible and have something to do with a book – so you may let your creativity run wild.
As in previous years, entries will be judged according to such categories as “Most Delicious,” “Most Creative,” “Most Checked Out” and “Most Literary.” Those awarded “Best Student Entry” and “Best Overall” will win UC swag.
If you’re interested in creating an Edible Book, fill out the entry formEdible Books Entryby Tuesday, March 25. And if you’re looking for inspiration, visit The Facebook Album to see Edible Books from years past.
On display on the 5th floor lobby of the Walter C. Langsam Library through the end of spring semester, The Art of Bookplates features various bookplates found in the collections of the University of Cincinnati Libraries.
A bookplate, sometimes called an ex libris plate, is a label affixed inside a book to indicate ownership or to honor an individual, gift or collection fund.
UC Libraries has numerous bookplate designs to represent various collections, libraries, funds and gifts. In addition, some books in our collection include bookplates from other universities where they were housed before finding a home in UC. The exhibit showcases just some of the bookplates found throughout our libraries.
The Art of Bookplates was curated, designed and produced by Lexi Davis, design co-op student on the Communications Team. Want to learn more? A handout available at the exhibit includes an article by William Jensen tells more about bookplates found in UC Libraries Oesper Collection.
At the next event, scheduled for Wednesday, March 12 at 4:30pm, three poets will read their original work:
Kari Gunter-Seymour is the Poet Laureate of Ohio and the author of three award-winning collections of poetry, including Dirt Songs (EastOver Press 2024) and Alone in the House of My Heart (Ohio University Swallow Press 2022). She is the executive director of the Women of Appalachia Project and editor of its anthology series Women Speak. Her work has been featured in a number of periodicals and journals including the American Book Review, Poem-a-Day, World Literature Today and The New York Times. Find her at www.karigunterseymourpoet.com.
Phoebe Reeves is professor of English at the University of Cincinnati Clermont College. She has three chapbooks of poetry, most recently The Flame of Her Will. Her first full length collection, Helen of Bikini was published in March 2023. She lives in Cincinnati with her husband Don, amidst her unruly urban garden.
Prince Bush is a poet from Nashville, TN whose poems appear in Cherry Tree, The Drift, The Cortland Review, Northwest Review and elsewhere. He received a fellowship from the Bucknell Seminar for Undergraduate Poets while earning his BA in English as an Erastus Milo Cravath Presidential Scholar at Fisk University. Currently a PhD student in Creative Writing at the University of Cincinnati as a Yates Fellow, Prince Bush earned his MFA in Creative Writing as a Truman Capote Literary Fellow from the University of Iowa Writers’ Workshop.
Our second Black History Month spotlight goes to a pioneer of medicine in the Cincinnati area, Lucy Oxley – the first African American to graduate from the University of Cincinnati College of Medicine.
Lucy Oxley was born in Harrisburg, Pennsylvania in 1912. During her childhood, her family moved to Cincinnati, as her father was named rector of St. Andrew’s Episcopal Church. As a young girl, Oxley looked up to three of her uncles who became doctors and knew early on that she wanted to be one too. She graduated early from Woodward High School and joined the University of Cincinnati College of Medicine’s six-year undergraduate and medical program.
During her time at UC, Oxley excelled, working hard to earn her spot in the group of top fifteen students who would have the chance to intern at General Hospital (UC Medical Center). However, she was refused an internship spot. When she questioned Dr. Alfred Friedlander about why she wasn’t given an internship, he said to her, “Lucy, you are a negro, and we don’t want you.” Oxley replied, “Well Dr. Friedlander, I wouldn’t change that for anything.” Rising above the prejudice, she went on to complete her internship at Freedmen’s Hospital in Washington, DC, and returned to Cincinnati to join her classmates for graduation on June 5, 1936.
After graduation, Oxley became a medical director for student wellness at Bennett College in North Carolina, and then Wilberforce College here in Ohio. Following that, she had a daughter, Francine, and returned to Cincinnati where she started her general practice. In 1945 she began working in cancer research alongside fellow UC grad, George Sperti. A few years later she returned to full-time practice in family medicine where she cared for thousands of patients and families.
Later in life, Oxley was diagnosed with lung cancer but continued to treat patients up until her passing in 1991. She is remembered today for her dedication to those she cared for and for paving the way for young African Americans who aim to make a difference in the medical field just as she did.
