UC Libraries sponsors Undergraduate Research Summer Learning Community

Are you or do you know an undergraduate who is interested in doing research in the future or is currently active in research? 

summer cohort

The Undergraduate Research Summer Learning Community is sponsored by UC Libraries in collaboration with McNair Scholars, University Honors Discover program, and CCPS Undergraduate Research Program and will run from June 4 to July 23, Wednesday mornings 9:30-11 am via zoom and in-person. 

The sessions will focus on professional skills such as data management, research ethics, ownership of work, and research presentations that help students thrive in a research environment.  It is free and open to all undergraduates regardless of university affiliation.

 You can find information about the weekly sessions and the registration link on the UC Libraries website.  Email aksdata@uc.edu with questions.

summer cohort flyer

Job Posting: Head of the Classics Library

The University of Cincinnati Libraries seeks a dynamic, strategic-thinking and collaborative leader to fill the position of head of the John Miller Burnam Classics Library, a 12-month tenure track position.  

The library head directs the work of the Classics Library and staff, and provides research services to the Classics Department, which includes 18 full-time faculty members, four research associates, two visiting scholars and 35 graduate students. Research materials cover history, archaeology, language and literature, art, numismatics, science and technology, papyrology, epigraphy and patristics. Please see the full job announcement to learn more and apply

The Preservation Lab presents “More than Conservation” Thursday, May 1

Join us for the Annual Preservation Lab Open House, Thursday, May 1, 2-4pm, 3rd floor Langsam Library. “More than Conservation” will include tours of the lab, demonstrations of projects and treatments, cookies, bookmarks, and stickers!

preservation open house

Want a sneak peek of the work of the Preservation Lab? Stop by Langsam Library’s 4th floor to learn about artist’s books and book arts, Tuesday, April 15, 2-3:30pm; and Thursday, April 17, 10:30am-noon to learn about the anatomy of a book.

Formed in 2012, the Preservation Lab is a book and paper conservation lab. The Preservation Lab provides the full suite of preservation services to the University of Cincinnati Libraries and, for a fee, to other cultural heritage institutions. The Preservation Lab’s expertise is in book and paper conservation, with services available in general circulating materials repair, single-item conservation treatment, housing, exhibition prep, and preservation consulting.

Introducing Lindsay Taylor, assessment and evaluation specialist in UC Libraries

Lindsay Taylor joined the University of Cincinnati Libraries Operations and User Services Team on March 17 as the new assessment and evaluation specialist. Lindsay brings a wealth of experience in library assessment, financial administration and instructional services to the university. 

lindsay taylor

Lindsay previously served as an adjunct reference and instruction librarian at Cincinnati State and as a financial administrator at the University of Cincinnati’s Department of History. Additionally, she was a graduate assistant in library assessment while completing her MS in Library and Information Science at the University of Illinois, Urbana-Champaign.

Lindsay is a proud alumna of the University of Cincinnati, with a B.A. in Classics and classical civilization. Her knowledge of UC and libraries will be invaluable as we strive to strengthen our organization by building a culture of assessment and data-informed decision making.

This is one of the new strategic staffing positions outlined in the UC Libraries Strategic Plan and we look forward to Lindsay working with the entire organization on assessment and evaluation.

Welcome, Lindsay, to UC Libraries!

And the winners are…results of the 2025 International Edible Books Festival

The University of Cincinnati Libraries celebrated the International Edible Books Festival on Tuesday, April 1, 2025.

tacos
Lexi Davis – Dragons Love Tacos – Best Overall

This year, we had an impressive 24 entries from students, librarians and staff, along with family, friends and retirees. There are few restrictions in creating an edible book – namely that the creation be edible and have something to do with a book. Today’s entries covered all genres – from fiction to non-fiction, animals, food, classics, contemporary titles and more.

carrots



Popular books represented on screen and now as edible books were “Dune,” “Bridgerton,” “Pride and Prejudice,” and “Twilight.” Children’s books made for popular edible books. This year we had “Charlotte’s Web,” “Freckle Juice,” “Too Many Carrots,” “Black Hearts in Buttersea,” and “Matilda.” Young Adult books made a presence this year with “Diary of a Wimpy Kid” and “Harry Potter.”


Animals were a theme this year with “Penguin Island,” “Dragons Love Tacos” and “How to Eat Fried Worms.” Both fiction, “The Warmth of Other Suns,” “Grapes of Wrath,” “The Silver Bone” and “White Teeth,” and non-fiction, “Eyes on the Prize,” “An Easy and Proven Way to Build Good Habits,” and “How Infrastructure Works: Inside Systems that Shape our World” were represented. Along with the 18th-century classic “De montibus, silvis, fontibus”

In addition to promoting the reading of books, we also use this event to promote and “judge” the creativity of our colleagues and friends in creating edible books. Thank you to the two esteemed judges: Brian Gray, associate dean for collections (non-edible collections), and Usha (oo-sh-uh), student staff member in the CECH Library. And the winners are…

  • Melissa Cox Norris – Penguin Island – Most Adorable
  • Sam Norris – Too Many Carrots – Most Noteworthy
  • Carly Fledderjohann – The Cheese Touch (Diary of a Wimpy Kid) – Most Noteworthy
  • Deborah Weinstein – Charlotte’s Web – Most Imaginative
  • Stephen Norris – The Silver Bone – Most Outrageous
  • Avery Rice – Pride and Prejudice – Most Checked Out
  • Melissa Cox Norris – Difficult Women – Most Out of this World
  • Aja Bettencourt-McCarthy – How Infrastructure Works: Inside the Systems That Shape Our World – Most Creative
  • Luahna Winningham Carter – Freckle Juice – Most Gruesome
  • Jakob Elliott – Dune – Silliest
  • Jessica Ebert – Black Hearts in Battersea (“buttercream”) – Most Delicious
  • Josh Zack, Tim Zack, and Debbie Tenofsky – Eyes on the Prize – Most Frightening
  • Nainika Kovelamudi & Priyanka Rao Siripurapu – Bridgerton – Most Beautiful
  • Olya Hart – White Teeth – Most Wordly
  • Olya Hart – Bunnies on Ice – Most Whimsical
  • Jenny Mackiewicz – Matilda – Most Taboo
  • Jenny Mackiewicz – Twilight – Most Humorous
  • Holly Prochaska – How to eat fried worms – Most Clever
  • Yu Mao – Atomic Habits – An Easy & Proven Way to Build Good Habits & Break Bad Ones – Most Literary
  • Alex Temple – De montibus, silvis, fontibus – Most Technical
  • Suzanne Bratt – The Warmth of Other Suns – Most Timely
  • Lisa Haitz – The Grapes of Wrath – Most Fun
  • Clara Kelley – Harry potter sorting hat – Best Student Entry
  • Lexi Davis – Dragons Love Tacos – Best Overall

Congratulations to all the edible books creators! View the entries and the winners on the UC Libraries Facebook Page. See you next year for Edible Books 2026!

harry potter
Clara Kelley – Harry potter sorting hat – Best Student Entry

University of Cincinnati Libraries participating in cohort to define AI literacy

The University of Cincinnati Libraries has been selected to participate in a cohort organized by Ithaka S+R to consider how existing information literacy frameworks can be adapted or revised to reflect AI-driven transformations.

According to Ithaka S+R: “Each participating institution will conduct qualitative research to understand the changing information practices and needs of students and instructors, using instruments developed in consultation with methodological experts at Ithaka S+R. Working in collaboration with Ithaka S+R and in conversation with other cohort members, participating institutions will identify how libraries and other university units can weave AI literacy into their existing operations, leveraging programs or initiatives that center on information, digital or meta literacy.”

Representing UC will be Madeleine Gaiser, online learning and instruction librarian, Lynn Warner, research and health sciences librarian, and Daniel Dale, assistant director of the Center for Excellence in Teaching and Learning (CET&L). Lori E. Harris, UC Libraries associate dean for research & instruction, will serve as administration liaison. The outcome of this work will be curriculum for an AI literacy workshop, which will be offered on an ongoing basis to the UC community.

“Supporting AI literacy is an extension of the important role that libraries and librarians fill in the information environment,” said dean and university librarian Liz Kiscaden. “Like our role in supporting information literacy, data literacy and digital literacy, supporting AI literacy will prepare our students and faculty to succeed in a new information economy. We are excited to be a part of the Defining AI Literacy cohort organized by Ithaka S+R, particularly as we will be undertaking this work with such a strong cohort of peer institutions.”

Ithaka S+R is a not-for-profit organization that helps academic and cultural communities serve the public good and navigate economic, technological and demographic change. Their work also aims to broaden access to higher education by reducing costs and improving student outcomes.

The AI cohort’s work will commence in April and is estimated to conclude in May 2026.

Join us April 16 for Poetry Stacked + music, dancing and art!

The University of Cincinnati Libraries and the Elliston Poetry Room announce the next roster of poets for Poetry Stacked, a semi-regular poetry reading series held in the 6th floor east stacks of the Walter C. Langsam Library.

At the next event, scheduled for Wednesday, April 16 at 4:30pm, a celebration of both National Poetry Month and the final event of the academic year, three poets will read their work:

paige webb

Paige Webb is an interdisciplinary poet-scholar. Other categorical boxes to aid legibility: they’re a queer, neurodivergent being of settler descent and a doctor untrained in basic CPR. The aim of their work is to create space for curative touch in concert with the creative vitality in all beings (thanks to Gabrielle Civil, Hortense Spillers, and CAConrad for help with this language). They are a Charles Phelps Taft Fellow at the University of Cincinnati and recipient of [accolade], [accolade], [accolade]. You can find some of their work at Anomaly, Blackbird, Colorado Review, Denver Quarterly, DIAGRAM, Indiana Review, The Kenyon Review, Poets.org, Poetry Northwest, Verse Daily, Vinyl Poetry and Prose, West Branch and the chapbook Tussle.

Kristi Maxwell is the author of nine books of poems, including Wide Ass of Night (Saturnalia Books, 2025); Goners (Green Linden Press, 2023), winner of the Wishing Jewel Prize; Realm Sixty-four (Ahsahta Press, 2008), editor’s choice for the Sawtooth Poetry Prize and finalist for the National Poetry Series; and Hush Sessions (Saturnalia,2009), editor’s choice for the Saturnalia Books Poetry Prize. She’s the director of creative writing and an associate professor of English at the University of Louisville. Kristi holds a PhD in literature & creative writing from the University of Cincinnati and an MFA in poetry from the University of Arizona.

kristi maxwell
dior stephens

Dior J. Stephens is a Black, Queer poet, writer and the co-editor-in-chief of Foglifter Journal and Press. They are currently in the final year of their PhD in philosophy with a focus on creative writing at the University of Cincinnati. Dior’s debut full-length poetry collection, CRUEL/CRUEL (2023), was nominated for the 2024 Ohioana Book Award, and their collection Atomic I is forthcoming from Nightboat Books. A Cave Canem, Sewanee and Lambda Literary fellow, Dior has also been nominated for the Pushcart Prize and the Best of the Net. Their work critically engages with themes of language, identity, and resistance, contributing to the broader conversations in poetics and the Black/Diasporic experience. 

Continue reading

Read Source, the online newsletter, to learn about the news, events, people and happenings in UC Libraries.

source

Read Source, the online newsletter, to learn about the news, events, people and happenings in UC Libraries.

In this issue of Source, Liz Kiscaden, dean and university librarian, writes about how UC Libraries is taking advantage of funding opportunities to Invest in Strategic Priorities. The Archives and Rare Books Library announces receipt of a national grant to process historic Cincinnati schools desegregation case records.The Carl Solway Gallery Archive in the Robert A. Deshon and Karl J. Schlachter Library for Design, Architecture, Art and Planning (DAAP) Library is featured. Ted Baldwin, head of the Sciences Libraries, writes about how the razing of the iconic Crosley Tower will necessitate the move of the current Chemistry-Biology Library space to Braunstein Hall where it will merge with the Geology-Mathematics-Physics Library to become the Science Library opening fall semester.

Beginning in 2025, the Preservation Lab expanded its mission to provide expertise and services to the larger cultural heritage community, moving to a regional lab model. Under this new model, the Preservation Lab is now entirely managed, staffed and equipped by the University of Cincinnati. Two articles: Re-introducing the Preservation Lab and Exploring Historical Bindings: A Hands-On Workshop at UC’s Archives and Rare Books Library celebrate the Preservation Lab. Open Access publishing opportunities are discussed in this issue and upcoming Library Events are listed.

Read these articles, as well as past issues, on the website. To receive Source via e-mail, contact melissa.norris@uc.edu to be added to the mailing list.

New exhibit displays The Art of Bookplates

On display on the 5th floor lobby of the Walter C. Langsam Library through the end of spring semester, The Art of Bookplates features various bookplates found in the collections of the University of Cincinnati Libraries.

A bookplate, sometimes called an ex libris plate, is a label affixed inside a book to indicate ownership or to honor an individual, gift or collection fund.

the history of bookplates. the oldest known bookplate is a hand-colored wood-cut created by Hilbrand Brandenburg in the 1470s or 1480s

UC Libraries has numerous bookplate designs to represent various collections, libraries, funds and gifts. In addition, some books in our collection include bookplates from other universities where they were housed before finding a home in UC. The exhibit showcases just some of the bookplates found throughout our libraries.

some bookplates that are found at our libraries. besides our university bookplates, we have bookplates that exist here from other universities.

The Art of Bookplates was curated, designed and produced by Lexi Davis, design co-op student on the Communications Team. Want to learn more? A handout available at the exhibit includes an article by William Jensen tells more about bookplates found in UC Libraries Oesper Collection.

Join us for the workshop The Visual Cento: Fonts of Inspiration

Join the University of Cincinnati Libraries and the Elliston Poetry Room for a hands-on discussion & workshop about creating visual cento poetry.

Dior Stephens, poet and PhD graduate student in the College of Arts and Sciences, will kick things off with an introduction of the cento form. Katie Foran-Mulcahy, librarian and head of the College of Education, Criminal Justice and Human Services Library, will provide an overview of library collections and how to navigate the stacks before sending participants to explore and collect lines and possible visual elements from various texts. D.J. Trischler, assistant professor of communication design at UC’s Ullman School of Design in the College of Design, Architecture, Art and Planning will then talk about found art as the canvas and give tips on how to use text and images to express meaning.

This will culminate in participants creating their own cento poetry – no prior experience required.

The event is free and open to all to attend.

the visual cento: fonts of inspiration