Presented by UC’s Departments of Geography and GIS and UC Libraries, GIS Day will feature keynote speaker Trisha Brush, a GIS career panel, along with opportunities to network and learn.
Scheduled for Wednesday, Nov. 20 from 11am-2pm in the Faculty Enrichment Center (Langsam Library 540E), GIS Day is free and open to all to attend. Registration is requested.
Following seven years of funding support, the University of Cincinnati (UC) has determined that the long-term financial sustainment of the University of Cincinnati Press is not feasible. Funding resources, including start-up funds, have been exhausted and the Press is not in a self-sustaining financial position. Therefore, the University of Cincinnati Press imprint will cease to operate June 30, 2025.
As of July 1, 2025, scholarly print and eBooks will be assigned to the University of Minnesota Press and published regional books, including the forthcoming Thinking About Ohio Series, will be assigned to the Ohio University Press. All inventory and fulfillment services will continue to be managed by Chicago Distribution Center.
The University of Cincinnati Libraries will continue to offer Library Publishing Services for UC faculty authors of open access books, journals and proceedings.
Dean and University Librarian Liz Kiscaden said, “closure of the Press does not diminish its success or impact in innovative scholarly and regional book publishing.” The University of Cincinnati Press was founded in 2017 and reported to the dean of the University of Cincinnati Libraries. It is a member of the Association of University Presses, Library Publisher Coalition and the Open Educational Network. Since its opening, the Press has published over 40 books, 30% in open access, seven academic journals, won nine academic, national and regional book awards and published the UC undergraduate student showcase annually. It was committed to publishing rigorous, peer-reviewed, leading scholarship in print, eBook and open access under the governance of a faculty advisory board.
An FAQ regarding details of the closure and availability of books as of July 1, 2025, will be available on the University of Cincinnati Press website.
Tuesday, October 22, 2024
10 am to noon
Room 408, Langsam Library
The University of Cincinnati Libraries and Accessibility Resources invite all members of the UC community to check out the newly updated Accessible Technology Space on the 4th floor of the Walter C. Langsam Library.
Join us at an Open House Tuesday, Oct. 22 from 10am-noon, Langsam Library 408. Come by to grab a free snack and enter our raffle for a chance to win a prize.
Can’t make the event or want more info in advance? Check out the UC Libraries Accessible Technology Space web page for details about the updated space. Questions? Contact Debbie Tenofsky at tenofsdg@ucmail.uc.edu.
Brian Gray will join the University of Cincinnati Libraries on October 21, 2024 as associate dean of collections. In this role, he will join the Libraries’ senior leadership team to be a part of a continuing transformation, working to realize our mission and strategic directions. Gray will be responsible for managing general collections, preservation, special collections and archives within UC Libraries. In addition, he’ll serve as the senior administrator for the Archives & Rare Books Library, John Miller Burnam Classics Library and the Albino Gorno Memorial (CCM) Library.
Gray has an M.B.A in organizational development & leadership from Case Western Reserve University, a masters of library and information science from Kent State University with a focus on management, and a B.S. in chemical engineering from the University of Akron. He comes to UC from Case Western Reserve University where he served as the collection strategies librarian. Previous roles include the team leader of research services, research services librarian of chemical and bio-molecular engineering and macro-molecular science, as well as head of reference.
“I look forward to working with Brian and welcome him to the UC community,” said Liz Kiscaden, dean and university librarian. “His experience and knowledge of OhioLINK, collection development, reference and research will make him a wonderful associate dean for collections especially as we embark on implementing our new strategic plan.”
The Archives & Rare Books (ARB) Library is hosting an Open House, Monday, Oct. 21 from 1-3:30pm on the 8th floor of Blegen Library.
Attendees to the Open House can enjoy refreshments and door prizes as they view collection highlights, recent acquisitions and “spooky” books. Library staff will be on hand to meet and greet and ARB’s growing digitization space will be available for viewing.
The Archives and Rare Books Library acquires, processes, preserves and provides access to the University’s Rare Books collection, University Archives, Local Government records, Urban Studies collection and German-Americana collection.
The Open House is free and open to all.
Fiction, non-fiction, poetry, a graphic novel, documentary and historical fiction can all be found in the Staff Picks exhibit on display on the 4th floor lobby of the Walter C. Langsam Library. Highlighting the collections of UC Libraries, the exhibit gives recommendations and blurbs from library staff and includes such titles as: “The Feather Thief,” “Being Human,” “Lincoln in the Bardo,” “Monarch,” “The Glass Hotel” and so much more.
A bibliography is available for pickup at the exhibit and displayed below.
Staff Picks was curated by Melissa Cox Norris, director of library communication, and designed by communications design co-op student Lexi Davis.
Happy Reading.
The Walter C. Langsam Library now offers a Teams Room that can be scheduled for online meetings. Located in Langsam 410, the room is outfitted with Teams Room technology designed to facilitate collaboration and video conferencing using Microsoft Teams, Zoom and Webex.
Outside of the room, the Room Scheduling Panel shows the room’s availability and allows users to use a QR code to book the room for upcoming meetings. The resource name LANG410 can also be used when scheduling Teams, Zoom or Webex meetings via Outlook.
A Touchscreen Control Panel is placed on the meeting table for easy management of the room’s Teams meetings. It allows users to:
A high-quality wide-angle camera is positioned to capture the entire room.
The Rally Bar soundbar has a built-in microphone, speakers and a high-quality wide-angle camera positioned to capture the entire room. When more than one person is in the room, tracking cameras automatically focus on the person speaking.
The Langsam Teams Room is available for use by all UC faculty, staff and students. It is a collaboration between UC’s Digital Technology Solutions (DTS) and UC Libraries and is part of a university-wide initiative to increase collaboration spaces and provide consistent experiences.
More information can be obtained from the DTS knowledge base article on Microsoft Teams Rooms.
The University of Cincinnati Libraries and the Elliston Poetry Room announce the poets and composers for the next Poetry Stacked, a semi-regular poetry reading series. This session is a collaboration with the College-Conservatory of Music (CCM), and is the first off-site event, which will be held in the Albino Gorno Memorial (CCM) Library, 600 Blegen Library.
At the next event, scheduled for Wednesday, Oct. 23 at 4:30pm, three poets will read their original work:
This session of Poetry Stacked will also feature three composers who have created and will perform original musical pieces to accompany one of the poet’s readings:
“I use letterpress printing, but I use it to disrupt the segregated realms of fine printing and artists’ books.”
–excerpt from “My Manifesto” in the new book Amos Paul Kennedy, Jr.: Citizen Printer
To read Amos Kennedy’s manifesto is to glimpse into the passion and love that Kennedy holds for letterpress printing and his sincere believe in the power of the printing press. Kennedy is one of the leading practitioners of letterpress printing today, known mainly for his bold stylistic technique that foregrounds powerful messages against a colorful backdrop. He prides himself on being a “disturber of the peace” and a member of the “School of Bad Printing,” both of which point to the strong social activism presented in his work as well as the humor.
Born in Lafayette, Louisiana, Kennedy grew to study mathematics and began a career as a computer programmer, but his love of calligraphy and books led him to eventually leave the corporate world for the life of a printer and designer. He studied book arts at the University of Wisconsin-Madison, but before that a visit to a printing demonstration at Colonial Williamsburg led Kennedy to purchase a Vandercook printing press and four cabinets of type, which he installed in his basement. Thus, a printer was born and, today, Kennedy operates a letterpress shop called Kennedy Prints! in Detroit, Michigan.
Kennedy’s work is preserved in numerous libraries, archives, and museums, and the University of Cincinnati’s Archives and Rare Books Library is pleased to join that community. ARB recently acquired two sets of Kennedy’s work. The first is the poster series “Quotations from Rosa Louise Parks,” which includes twelve posters that feature quotations from the civil rights activist over various typographic layers. In a 2023 interview, Kennedy described his technique this way:
“When you look at something like the Rosa Parks portfolio, you’ll see that there’s one layer that has dates that are significant to her life. Then there’s another layer that has places that are significant to her life. This continues for about four layers, because one of the things I like to do is envision people having that aha moment—when that poster has been on the wall for a considerable amount of time, and they see it every day, but suddenly, they turn their head a certain way, and they say, “Oh, the word Montgomery’s behind there. I never noticed that before.” And that will draw them in to look and study it more.” (– as printed in Citizen Printer, p. 69)
The second set of Kennedy’s works is comprised of 134 church fans bearing the names of individuals killed will working for civil rights in the United States from 1946 to 1968. The fans are accompanied by a series of standard road maps on which Kennedy has printed the number of individuals murdered in various states. The portfolio takes a simple object with strong ties to the Black church and creates a haunting, repetitive visual narrative. As Kelly Walters has written in Citizen Printer, Kennedy’s “use of the fan asks us to contemplate how the rites of funeral memorialization can serve as a tool for historical remembrance as well.”
As part of his manifesto, Kenney states: “Throughout history, the printer has had to choose to either resist or assist in the marginalization of knowledge. I made the choice: I resist.” There is no better summary of the work that Amos Kennedy has produced over the years, and ARB is proud to now help preserve his work as we look to diversify examples of printing and the book arts in our collections. We are working to create an online finding aid for the Amos Paul Kennedy, Jr. Collection at ARB and hope to add to the collection in the future. Those who are interested in viewing materials from this collection can email ARB at archives@ucmail.uc.edu to schedule a research appointment. To learn more about Kennedy’s life and career, we recommend the excellent documentary Proceed and Be Bold!
By Meshia Anderson, interlibrary loan specialist, UC Libraries
Equity, Inclusion, Accessibility and Belonging are often terms associated with those in marginalized communities. Finding a space that allows one to be authentic, feel a sense of belonging and add value to the lives of others is what I set out to do. Just over a year ago, I sought to find unique professional development opportunities that would allow me to serve as a key contributor to Equity and Inclusion practices, enhance current skills and adapt new ones and contribute to the support of marginalized communities.
As a result of my pursuit, I was selected to serve as member of the ARL/IDEAL Conference Planning Task Force and to additionally serve as Production Committee Co-chair. The Association of Research Libraries (ARL) offered a great opportunity for me to connect with those exhibiting my same passion for Equity and Inclusion practices. The task force consisted of 10 members outside of ARL, primarily deans and department heads, in addition to multiple ARL directors, which presented a significantly inclusive experience for me. More than 70 volunteers across the United States and Canadian Universities, along with additional ARL staff, contributed to the conference success serving well over 500 attendees.
My role as a task force member allowed me the opportunity to provide suggestions and/or feedback for the conference working groups as conference plans progressed. The Production Team in particular was responsible for overall onsite conference support. As co-chair, I oversaw all aspects of onsite conference check-in and information support locations throughout the conference, providing training for multiple shifts in those work spaces and providing support for my co-chair who oversaw most other volunteer spaces. Initial training lead by ARL leadership for task force members and volunteers helped to establish conference standards and safety expectations.
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