Beginning in January of 2012, the Public Library of Cincinnati and Hamilton County (PLCH) and University of Cincinnati Libraries (UCL) began a long-term collaboration to provide conservation and preservation treatments in an equally-managed, staffed, and equipped preservation lab situated in UC’s Walter C. Langsam Library. Employees from both PLCH and UCL work on the general circulating and rare/special collections of each institution.
The exhibit, located on the 4th floor of Langsam Library, showcases the work of the lab as well as educates about the difference between preservation and conservation, what makes an item a “special collection,” and the techniques and tools used in the care of collections. The exhibit also features both before and after images of the treatment done to the objects and explains the process. The exhibit was curated by Holly Prochaska, preservation librarian, Ashleigh Schieszer, lab conservator, and Jessica Ebert, conservation technician, and was designed by Jessica Burhans, communications co-op design student. Continue reading ‘Preserving the Past for the Future’ Exhibit Showcases Preservation Lab
Public-sector archivists, records managers, and other information professionals across the country share similar challenges: electronic records are getting more complex, public institution budgets are leaner (and sometimes cut to the bone), and citizen’s interest in access to public records grows. In Ohio, we are addressing some of these challenges through the Ohio Electronic Records Committee (OhioERC). Continue reading What Is the Ohio Electronic Records Committee?
This past October, Xuemao Wang, dean and university librarian, was invited by the Dunhuang Research Academy of China to participate in a two-day International Dunhuang Consultative Committee meeting sponsored by the Andrew W. Mellon Foundation to consult on the Digital Dunhuang project. The consultative committee included individuals from such institutions as UC San Diego, UC Berkeley, Microsoft Research Asia, The University of Hong Kong Libraries, the British Library, the Victoria and Albert Museum, Jawaharlal Nehru University Library, the National Museum in New Delhi, the Korea Institute of Dunhuang, National Taiwan University, Zhejiang University, Wuhan University, and the University of Science and Technology of China, among other institutions. Members of the Consultative Committee received a three-year appointment from the director of the academy, Mr. Wang Yuanlong.
The objective of the two-day meeting was to review Digital Dunhuang’s current infrastructures, policies, and challenges, particularly in the three key areas of: digital asset management, digital resource integration, and digital preservation. The committee was charged by the director to prepare a set of recommendations for future activities in each of the three areas. At the end of the two-day, intensive meeting, the international consultative committee presented a draft set of recommendations to the academy.
The Dunhuang Caves, the best-known of which are the Mogao Caves, comprise some 492 temples and contain some of the finest examples of Buddhist art spanning a period of 1,000 years. Named a UNESCO World Heritage Site in 1987, the caves are one of the most comprehensive cultural heritage museums in existence. The Dunhuang Research Academy has been devoted to the protection of the Dunhuang Mogao Caves since its founding in 1944. Currently, the Academy is undertaking a massive endeavor known as Digital Dunhuang whose ambitious goals include, eventually, digitizing all 492 caves’ resources—including 3-D imaging of murals, sculptures and the caves themselves—as well as managing the resulting digital resources with long-term digital preservation strategies.
Another Dunhuang project, the International Dunhuang Project is a consortium of libraries and museums that are linking their collections of digitized Dunhuang manuscripts and making them available on the Internet.
This was Dean Wang’s first visit Dunhuang, although he remembers learning about it in his Chinese high school history class. “I was tremendously impressed by its historical and artistic richness and the beauty of the mural paintings, Buddhism manuscripts and massive cave structures,” said Dean Wang. “Dunhuang Research Academy’s vision and work on digitizing the cave’s entire historical and cultural objects for both access and preservation using cutting edge digital technologies is an important and impressive endeavor.”
UC Classics researchers Jack Davis and Sharon Stocker will receive the International Guiseppe Sciacca Award at Vatican City on Nov. 12. The award recognizes those who have made significant contributions to their respective fields.
Frida in Focus is an exhibition and series of related events at the Niehoff Urban Studio recognizing and celebrating Frida Kahlo (1907-1954). Frida is one of the most photographed women of her time, a Latin American iconic figure, an internationally known feminist, and an LGBTQ icon. This year’s theme for UC’s Hispanic Heritage Month (HHM), “Do UC me? My voice matters,” is inspired by Frida Kahlo, who determined the world would come to know her through images that were carefully constructed and curated by her. Our hope is that this exhibition and related events shine light on intersectionality, inspire people to imagine how they want the world to view them…and encourage them to make it happen.
Frida in Focus has been made possible through the generous support of the UC Office of the Provost, the Office of the Vice President of Research, the Taft Research Center, the UC Office of Diversity & Inclusion, and the McMicken College of Arts & Sciences (A&S). It is a cross-college collaboration between A&S, the College of Design, Architecture, Art, & Planning (DAAP) and UC Libraries. A special thank you to UC professor emeritus Edward B. Silberstein for loaning the extraordinary photographs of Frida and Diego, taken by his father Bernard Silberstein, that have made this exhibition possible.